Miss Eve Fairfax thumbnail 1
Miss Eve Fairfax thumbnail 2
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Image of Gallery in South Kensington
On display at V&A South Kensington
Sculpture, Room 21, The Dorothy and Michael Hintze Galleries

Miss Eve Fairfax

Bust
ca. 1904-1905 (made)
Artist/Maker
Place of origin

From 1900 onwards Rodin frequently received commissions for portrait busts of men and women who were prominent in political and artistic circles. This portrait was commissioned by Ernest Beckett, later Lord Grimthorpe, who had been introduced to Rodin by the British sculptor John Tweed and who became one of Rodin's earliest admirers in Britain. Eve Fairfax (1871-1978) was briefly engaged to Beckett and she sat for Rodin several times during the period 1901-9.

Their meetings and correspondence brought Rodin to a closer, more personal knowledge of his sitter. He admired her cool Englishness and what lay beneath her calm exterior, describing her as 'A Diana and a satyr in one'. He also said, referring to her, 'How flat chested they are. Oh, those planes and the bony structure of these English women.'
This bronze appears to have been cast from a clay or plaster study. The marble version given to Eve Fairfax by Rodin is now in the Johannesburg Art Gallery, South Africa.


Object details

Category
Object type
TitleMiss Eve Fairfax
Materials and techniques
Bronze
Brief description
Bust, bronze, 'Miss Eve Fairfax' by Auguste Rodin, French, about 1904-5
Dimensions
  • Height: 450mm
  • Width: 800mm
  • Weight: 42kg
  • Depth: 600mm
Marks and inscriptions
  • Rodin (Signature; Back of the right shoulder)
  • MONTAGUTELLI FRES. / CIRE PERDUE. PARIS (Stamp, on the centre back)
Gallery label
  • Auguste Rodin (1840–1917) Portrait of Eve Fairfax (1871–1978) 1902–03 ‘I want my bust to be one of the finest you have ever made’, Eve Fairfax wrote to Rodin. The two developed a friendship during the making of this work. Rodin admired Fairfax's bone structure and cool Englishness, describing her as ‘a Diana and a satyr in one’ – both divine and hedonistic. The bust was commissioned by Ernest Beckett, one of Rodin’s earliest admirers in Britain and Fairfax’s fiancé for a brief time. Paris Bronze, cast by Montagutelli Frères(2021)
  • Rodin made several portraits of the beautiful women that were prominent in political and artistic circles. This bust was commissioned by Ernest Beckett (later Lord Grimthorpe), one of Rodin's earliest admirers in Britain. Eve Fairfax (1871-1978) was then his fiancée, but their relationship soon ended. Rodin said of her, 'Oh, those planes and the bony structure of these Englishwomen!'(March 2007)
Credit line
Given by Rodin in November 1914
Object history
Miss Fairfax was the daughter of Colonel Thomas Fairfax of the Grenadier Guards. The portrait was commissioned by Ernest Grimthorpe and this bronze appears to have been cast from the original life study.
Subject depicted
Summary
From 1900 onwards Rodin frequently received commissions for portrait busts of men and women who were prominent in political and artistic circles. This portrait was commissioned by Ernest Beckett, later Lord Grimthorpe, who had been introduced to Rodin by the British sculptor John Tweed and who became one of Rodin's earliest admirers in Britain. Eve Fairfax (1871-1978) was briefly engaged to Beckett and she sat for Rodin several times during the period 1901-9.

Their meetings and correspondence brought Rodin to a closer, more personal knowledge of his sitter. He admired her cool Englishness and what lay beneath her calm exterior, describing her as 'A Diana and a satyr in one'. He also said, referring to her, 'How flat chested they are. Oh, those planes and the bony structure of these English women.'
This bronze appears to have been cast from a clay or plaster study. The marble version given to Eve Fairfax by Rodin is now in the Johannesburg Art Gallery, South Africa.
Bibliographic references
  • Hawkins, Jennifer, Rodin Sculptures London: Victoria and Albert Museum, 1975, p.28, ill.28 and 29
  • Catalogue of Sculpture by Auguste Rodin. London: Victoria and Albert Museum, 1925. p. 18
  • Alley, R. Tate Gallery Catalogue: Foreign Paintings, Drawings and Sculpture. London, 1959. pp. 218-219.
  • Avery, Charles. From David d'Angers to Rodin : Britain's national collection of French ninetheenth-century sculpture. The Connoisseur. April, 1972. vol. 179. no. 722. pp. 238-239. fig. 11.
  • Hare, Marion J. The Sculptor and His Sitter: Rodin's Bust of Eve Fairfax. Johannesburg : Johannesburg Art Gallery, 1994. ills. 23, 24. p. 51.
  • Mitchell, Claudine. The Gift to the British Nation: Rodin at the V&A. In: Mitchell, Claudine. ed.Rodin: The Zola of Sculpture. Henry Moore Institute, 2003. pp. 183-200.
  • Lampert, Catherine, Rodin, London, Royal Academy of Arts, 2006
Collection
Accession number
A.44-1914

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Record createdNovember 26, 2002
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