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Partie de campagne

Print
1897 (printed)
Artist/Maker
Place of origin

The term lithography, which refers to a particular printing process, comes from the Greek and means literally 'drawing on stone'. To make a colour lithograph a separate stone is required for each colour. To produce this print Toulouse-Lautrec worked on the stones with pens and brushes. He also used a spatter technique that he invented in order to create areas of broken tone. The results he was able to produce in his prints have led to him being acclaimed as the foremost exponent of colour lithography.


Object details

Categories
Object type
TitlePartie de campagne (assigned by artist)
Materials and techniques
Colour lithograph on paper
Brief description
'Partie de Campagne', colour lithograph print By Toulouse-Lautrec, 1897.
Physical description
Landscape format print in yellows and greens depicting a couple in a carriage riding away from the viewer, with a dog following behind.
Dimensions
  • Height: 51.5cm
  • Width: 39.7cm
Style
Marks and inscriptions
  • (Signed and stamped with the artist's monogram)
  • 67 (Numbered in pencil)
  • Le Tonneau (Inscribed on the mount)
  • (With the stamp of the Paris publisher.)
Subjects depicted
Summary
The term lithography, which refers to a particular printing process, comes from the Greek and means literally 'drawing on stone'. To make a colour lithograph a separate stone is required for each colour. To produce this print Toulouse-Lautrec worked on the stones with pens and brushes. He also used a spatter technique that he invented in order to create areas of broken tone. The results he was able to produce in his prints have led to him being acclaimed as the foremost exponent of colour lithography.
Bibliographic references
  • Coutts, Howard and Claire Jones Toulouse Lautrec and the art of the French Poster. Bowes Museum, 2004. 53 p., ill. ISBN 0954818202.
  • Victoria and Albert Museum, Department of Prints and Drawings and Department of Paintings, Accessions 1949, London: HMSO, 1961.
  • L. Delteil, Le Peintre-Graveur Illustré (XIXe et XXe siècles), Vol XI. Paris, 1920
  • This print also appeared as plate 28 published by Ambroise Vollard in 'Album d'estampes originales de la Galerie Vollard, 2e année', 1897.
Collection
Accession number
E.841-1949

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Record createdNovember 19, 2002
Record URL
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