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Venus removing a thorn from her foot

Statuette
1560-1570 (made)
Artist/Maker
Place of origin

According to legend, the rose was originally a white flower, but in Venus' haste to help the dying Adonis, a thorn pierced her foot and her blood stained the petals red. This bronze shows the kneeling figure of the naked Venus removing the thorn from her foot. The pose is similar to that of the same subject engraved by Marco Dente (died 1527) after a fresco executed by Raphael's workshop in 1516 for the bathroom of Cardinal Bibbiena in Rome. The terracotta model for this figure, which was formerly painted to imitate bronze, is now in the Musée du Louvre in Paris. The Dente engraving was once in the collection of the artist François Girardon; it is mentioned in the inventory made after his death in 1710 and appears in an engraving of the Galerie de Girardon of the same date.

Ponce Jacqueau, who also worked in Rome, was one of the leading Parisian sculptors of his day. The figure of Venus is closely related in style and handling to the bronze figures of Prudence and Temperance that he made for the funerary monument of Henry II of France in the abbey church of Saint-Denis in Paris, in about 1565-1570. It is a unique cast, although smaller versions exist in other collections. A Mother and Child in the Wallace Collection in London is also attributed to the artist.

Object details

Categories
Object type
TitleVenus removing a thorn from her foot (generic title)
Materials and techniques
Cast bronze
Brief description
Statuette, bronze, Venus removing a thorn from her foot, by Jacquiot Ponce, France, 1560-1570
Physical description
Bronze statuetted of Venus kneeling to remove a thorn from her foot.
Dimensions
  • Height: 25.3cm
  • Width: 23.5cm
  • Depth: 12.5cm
Measured for the Medieval and Renaissance Galleries
Object history
Bought from Mr Alfred Spero, London, for £3200, in 1964.
Subjects depicted
Summary
According to legend, the rose was originally a white flower, but in Venus' haste to help the dying Adonis, a thorn pierced her foot and her blood stained the petals red. This bronze shows the kneeling figure of the naked Venus removing the thorn from her foot. The pose is similar to that of the same subject engraved by Marco Dente (died 1527) after a fresco executed by Raphael's workshop in 1516 for the bathroom of Cardinal Bibbiena in Rome. The terracotta model for this figure, which was formerly painted to imitate bronze, is now in the Musée du Louvre in Paris. The Dente engraving was once in the collection of the artist François Girardon; it is mentioned in the inventory made after his death in 1710 and appears in an engraving of the Galerie de Girardon of the same date.

Ponce Jacqueau, who also worked in Rome, was one of the leading Parisian sculptors of his day. The figure of Venus is closely related in style and handling to the bronze figures of Prudence and Temperance that he made for the funerary monument of Henry II of France in the abbey church of Saint-Denis in Paris, in about 1565-1570. It is a unique cast, although smaller versions exist in other collections. A Mother and Child in the Wallace Collection in London is also attributed to the artist.
Bibliographic references
  • Williamson, Paul, ed. European Sculpture at the Victoria and Albert Museum. London: Victoria and Albert Museum, 1996, p. 124
  • Radcliffe, Anthony, European bronze statuettes, London, 1966, pp. 97, 98
  • Penny, Nicholas. Catalogue of European Sculpture in the Ashmolean Museum, Vol III, Oxford, 1992, p. 96-7
  • Radcliffe, Anthony, "Ponce et Pilon", in: Bresc-Bautier (ed.), German Pilon et les sculpteurs français de la Renaissance, Paris, 1993, p. 289 and figs. 80-82Radcliffe, Anthony, "Ponce et Pilon", in: Bresc-Bautier (ed.), German Pilon et les sculpteurs français de la Renaissance, Paris, 1993, p. 289 and figs. 80-82
  • Wixom, William D. Renaissance Bronzes from Ohio Collections, Cleveland Museum of Art, 1975, no 229
  • Götz-Mohr. B. von, Nachantike Kleinplastische Bildwerke, II, Italien, Frankreich, Niederlande 1500-1800, Liebighaus Frankfurt, Melsungen, 1988, cat. 76, pp. 193-6
  • Bresc-Bautier, Geneviève & Scherf, Guilhem (eds.), Cast in bronze : French sculpture from Renaissance to Revolution, Paris : Musée du Louvre Éditions : Somogy Art Publishers, 2009 pp. 80-3, cat 58
  • Warren, Jeremy, Beauty & Power: Renaissance and Baroque Bronzes from the Peter Marino Collection, London, The Wallace Collection, 2010, exh. cat. pp. 22-23, fig. 2
  • Krahn, Volker (ed.), Von allen Seiten schön : Bronzen der Renaissance und des Barock : Wilhelm von Bode zum 150, Heidelberg : Edition Braus, 1995 135
Collection
Accession number
A.13-1964

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Record createdNovember 19, 2002
Record URL
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