Not currently on display at the V&A

The Circumcision

Fragment of a Panel
15th century (made)
Artist/Maker
Place of origin

This fragment of an alabaster panel shows a High Priest standing in front of a pointed arch, surmounted by a battlemented roof. His hands are not covered by a cloth, which indicated that this is part of a panel depicting the Circumcision rather than the related subject of the Presentation in the Temple.

The Circumcision as explained in the fourteenth century work the Golden Legend was traditionally seen as the first time that the blood of Christ was shed and therefore the beginning of the process of the redemption of man. This event also served to emphaise Jesus' humanity and marked his official entry into the Jewish faith.


Object details

Categories
Object type
TitleThe Circumcision (generic title)
Materials and techniques
Carved alabaster
Brief description
Alabaster panel (fragment) depicting the Circumcision. English, 15th century.
Physical description
The fragment is the right-hand side of a panel and shows a Jewish priest, wearing a distinctive headdress, alb and amice and a chasuble, standing in front of a pointed arch above which is a row of battlementing. His hands are raised towards the figure of the Christ Child (only the foot survives) standing on an altar covered with a cloth.

The left-hand side of the panel is completely missing and the top is chipped. The carving is weathered. No paint remains on the panel. The alabaster is iron-stained, particularly in the upper part. There is one lead-plugged hole with a latten wire in the back of the fragment. The bottom has been cut away.
Dimensions
  • Height: 36.2cm
  • Width: 15.9cm
From Cheetham, English Medieval Alabasters, 1984.
Style
Credit line
Given by Dr W. L. Hildburgh FSA
Object history
Acquired by Dr W. L. Hildburgh in Paris. On loan from him since 1924. Given by Dr Hildburgh in 1946.
Subjects depicted
Summary
This fragment of an alabaster panel shows a High Priest standing in front of a pointed arch, surmounted by a battlemented roof. His hands are not covered by a cloth, which indicated that this is part of a panel depicting the Circumcision rather than the related subject of the Presentation in the Temple.

The Circumcision as explained in the fourteenth century work the Golden Legend was traditionally seen as the first time that the blood of Christ was shed and therefore the beginning of the process of the redemption of man. This event also served to emphaise Jesus' humanity and marked his official entry into the Jewish faith.
Bibliographic reference
Cheetham, Francis. English Medieval Alabasters. Oxford: Phaidon-Christie's Limited, 1984. p. 190 (cat. 117), ill. ISBN 0-7148-8014-0
Collection
Accession number
A.63-1946

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Record createdNovember 14, 2002
Record URL
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