Image of Gallery in South Kensington
Request to view at the Prints & Drawings Study Room, level C , Case EE, Shelf 183

Print

1815 (made)
Artist/Maker

Charles M'Gee was born in Jamaica in 1744. He was a sailor in the British navy, and after his discharge he settled in London, working as a crossing-sweeper at Ludgate Hill near St Paul's Cathedral. Crossing-sweepers kept areas of the streets clear of rubbish and horse manure. They earned their living from the tips given by those pedestrians who depended on the crossings to keep their shoes and clothes clean.

This print was published in Vagabondiana (1817), a collection of prints of well-known London beggars and street traders first published as a folio of prints in 1815-1817. The author and artist John Thomas Smith was particularly interested in life in London. Another of his works is The Cries of London, published in 1839, after his death. The 'Cries' were originally the calls of street traders and hawkers selling their wares. They became a rich source of inspiration for British musicians and artists, particularly in the 18th and 19th centuries.Vagabondiana fits into this tradition, and the inclusion of real-life black personalities such as M'Gee reflects the historical presence of many black men among the London poor, and the fact that this was recognised in mainstream publications of the time.


Object details

Categories
Object type
Materials and techniques
Etching on paper
Brief description
Charles M'Gee, a black beggar, from Smith's Vagabondiana, 1815
Physical description
Print of a black man, Charles M'Gee, with white hair dressed in a coat and trousers carrying a broom and holding out his hat.
Marks and inscriptions
London Published as the Act directs December 1815 / by John Thomas Smith, No.4 Chandos Street Covent Garden
Gallery label
  • Charles McGee was a Jamaican-born crossing-sweeper who worked at Ludgate Hill, London. He was over seventy when this portrait was made in 1815. It was published in Vagabondia, a collection of prints of well-known London beggars and street traders.(October 2001)
  • Charles M'Gee was a Jamaican-born crossing-sweeper who worked at Ludgate Hill, London. Crossing-sweepers were employed to keep the street clear of rubbish for carriages and pedestrians. This print was published in Vagabondiana, a collection of prints of well-known London beggars and travelling traders, published in 1817. Like Billy Waters, M'Gee was an ex-sailor and is mentioned in the book Life in London.(October 2002)
Subjects depicted
Summary
Charles M'Gee was born in Jamaica in 1744. He was a sailor in the British navy, and after his discharge he settled in London, working as a crossing-sweeper at Ludgate Hill near St Paul's Cathedral. Crossing-sweepers kept areas of the streets clear of rubbish and horse manure. They earned their living from the tips given by those pedestrians who depended on the crossings to keep their shoes and clothes clean.

This print was published in Vagabondiana (1817), a collection of prints of well-known London beggars and street traders first published as a folio of prints in 1815-1817. The author and artist John Thomas Smith was particularly interested in life in London. Another of his works is The Cries of London, published in 1839, after his death. The 'Cries' were originally the calls of street traders and hawkers selling their wares. They became a rich source of inspiration for British musicians and artists, particularly in the 18th and 19th centuries.Vagabondiana fits into this tradition, and the inclusion of real-life black personalities such as M'Gee reflects the historical presence of many black men among the London poor, and the fact that this was recognised in mainstream publications of the time.
Associated objects
Bibliographic reference
Smith, John Thomas. Vagabondiana; or, Anecdotes of mendicant wanderers through the streets of London; with portraits of the most remarkable, drawn from life. London, 1817. 52p, mounted front., illus., 32 pl. 36cm. Gerzina, Gretchen. Black London : life before emancipation. New Brunswick, N.J.: Rutgers University Press, 1995.
Collection
Accession number
29634:174

About this object record

Explore the Collections contains over a million catalogue records, and over half a million images. It is a working database that includes information compiled over the life of the museum. Some of our records may contain offensive and discriminatory language, or reflect outdated ideas, practice and analysis. We are committed to addressing these issues, and to review and update our records accordingly.

You can write to us to suggest improvements to the record.

Suggest feedback

Record createdNovember 12, 2002
Record URL
Download as: JSONIIIF Manifest