Jug thumbnail 1
Jug thumbnail 2
Not currently on display at the V&A

Jug

ca. 1800-1820 (made)
Artist/Maker
Place of origin

This porcelain jug was made at the kilns of Jingdezhen in southern China in the early decades of the 19th century. At this time, Chinese blue and white porcelain was still exported to Europe although the competition of local ceramic factories led to a substantial decrease in volume.

The scene depicted in underglaze blue on this jug is a stylised version of the traditional Chinese river landscape, a subject re-invented and integrated into the repertoire of western chinoiserie and often imitated again on Chinese porcelain made for export. The design was appreciated by European clients who considered it purely 'oriental' and 'exotic', although it was very distant from the Chinese taste.


Object details

Categories
Object type
Materials and techniques
Porcelain decorated in underglaze blue
Brief description
Porcelain jug decorated in underglaze blue with river landscape, China, Qing dynasty, ca. 1800-1820
Physical description
Porcelain jug of globular shape with everted rim and side handle, decorated in underglaze blue with a river landscape featuring pagodas, small boats, bridges and figures; a band with eight-pointed linked star pattern runs inside and outside the lip. The painting is crude, the body with impurities.
Dimensions
  • Height: 25cm
Styles
Gallery label
Jug Porcelain with decoration in underglaze blue River landscape About 1800-1820 Miss Dorothy B. Simpson(1987)
Credit line
Miss Dorothy B. Simpson Bequest
Subjects depicted
Summary
This porcelain jug was made at the kilns of Jingdezhen in southern China in the early decades of the 19th century. At this time, Chinese blue and white porcelain was still exported to Europe although the competition of local ceramic factories led to a substantial decrease in volume.

The scene depicted in underglaze blue on this jug is a stylised version of the traditional Chinese river landscape, a subject re-invented and integrated into the repertoire of western chinoiserie and often imitated again on Chinese porcelain made for export. The design was appreciated by European clients who considered it purely 'oriental' and 'exotic', although it was very distant from the Chinese taste.
Bibliographic reference
Clunas, Craig (ed.). Chinese Export Art and Design. London: Victoria and Albert Museum, 1987, p. 47, fig. 24.
Collection
Accession number
FE.35-1977

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Record createdNovember 12, 2002
Record URL
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