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Not currently on display at the V&A

Comedy and Tragedy

Statuette
ca. 1891 - ca. 1892 (made)
Artist/Maker
Place of origin

This bronze statuette entitled 'Comedy and Tragedy' is by Sir Alfred Gilbert, cast 1891-1892 in Great Britain. It is in the form of a nude boy, with mask thrown up on the fore-head. He is holding another and larger mask. The figure is mounted on a black wooden pedestal.

Sir Alfred Gilbert was a famous British sculptor of the late 19th century. He was also a medallist, goldsmith and draughtsman and was known for his inventiveness and characteristically used various materials in the same work. Upon his many commissions for monuments and memorials is the celebrated Eros figure as part of the Shaftsbury memorial (1885-1893) on Piccadilly Circus.

As with the figure of Perseus (77-1904), in his interview given in the Easter Art Annual, Gilbert related this statue to his personal life, as being ' the climax to my cycle of stories...It represents a boy carrying a comic mask. He is stung by a bee - the symbol of love. He turns, and his face becomes tragic. The symbol is in reality fact. I was stung by that bee typified by my love for my art, a consciousness of its incompleteness, my love was not sufficient...I was living a kind of double life at that time, enjoying the society of Irving and Toole and other famous and pleasant members of the Garrick Club going to the theatre at night, and with Tragedy in my private life, living my Comedy publicly, if not enjoying it'. A one-act play at the Lyceum called Comedy and Tragedy inspired Gilbert, and he furhter states that ' I conceived the notion of harking back to the old Greek stage upon which masks were always worn, and I conceived a kind of stage property boy rushing away in great glee with his comedy mask, and on his way being stung by a bee. This was the only way in which I could present the hidden pain and passion of the boy'.


Object details

Categories
Object type
Titles
  • Comedy and Tragedy (generic title)
  • Such is life
  • Sic vita (generic title)
Materials and techniques
Bronze, cast
Brief description
Statuette, bronze, Comedy & Tragedy: 'Sic Vita', by Alfred Gilbert, English, ca. 1891-2
Physical description
Statuette in the form of a nude boy, with mask thrown up on the fore-head; he is holding another and larger mask. The figure is mounted on a black wooden pedestal.
Dimensions
  • Height: 40cm (including pedestal)
  • Weight: 3.34kg
Object history
In the collection of Alfred Higgins at the time of his death. Purchased at the sale of a collection of plaquettes, statuettes, etc. the property of the late Alfred Higgins, Esq., C.B., held at Christie, Manson & Woods on 29 January 1904, lot 38. Purchased for £62 2s (£68 7s including commission).
Historical context
As with the figure of Perseus (77-1904), in his interview given in the Easter Art Annual, Gilbert related this statue to his personal life, as being ' the climax to my cycle of stories...It represents a boy carrying a comic mask. He is stung by a bee - the symbol of love. He turns, and his face becomes tragic. The symbol is in reality fact. I was stung by that bee typified by my love for my art, a consciousness of its incompleteness, my love was not sufficient...I was living a kind of double life at that time, enjoying the society of Irving and Toole and other famous and pleasant members of the Garrick Club going to the theatre at night, and with Tragedy in my private life, living my Comedy publicly, if not enjoying it'. A one-act play at the Lyceum called Comedy and Tragedy inspired Gilbert, and he furhter states that ' I conceived the notion of harking back to the old Greek stage upon which masks were always worn, and I conceived a kind of stage property boy rushing away in great glee with his comedy mask, and on his way being stung by a bee. This was the only way in which I could present the hidden pain and passion of the boy'.
Subjects depicted
Literary referenceComedy and Tragedy
Summary
This bronze statuette entitled 'Comedy and Tragedy' is by Sir Alfred Gilbert, cast 1891-1892 in Great Britain. It is in the form of a nude boy, with mask thrown up on the fore-head. He is holding another and larger mask. The figure is mounted on a black wooden pedestal.

Sir Alfred Gilbert was a famous British sculptor of the late 19th century. He was also a medallist, goldsmith and draughtsman and was known for his inventiveness and characteristically used various materials in the same work. Upon his many commissions for monuments and memorials is the celebrated Eros figure as part of the Shaftsbury memorial (1885-1893) on Piccadilly Circus.

As with the figure of Perseus (77-1904), in his interview given in the Easter Art Annual, Gilbert related this statue to his personal life, as being ' the climax to my cycle of stories...It represents a boy carrying a comic mask. He is stung by a bee - the symbol of love. He turns, and his face becomes tragic. The symbol is in reality fact. I was stung by that bee typified by my love for my art, a consciousness of its incompleteness, my love was not sufficient...I was living a kind of double life at that time, enjoying the society of Irving and Toole and other famous and pleasant members of the Garrick Club going to the theatre at night, and with Tragedy in my private life, living my Comedy publicly, if not enjoying it'. A one-act play at the Lyceum called Comedy and Tragedy inspired Gilbert, and he furhter states that ' I conceived the notion of harking back to the old Greek stage upon which masks were always worn, and I conceived a kind of stage property boy rushing away in great glee with his comedy mask, and on his way being stung by a bee. This was the only way in which I could present the hidden pain and passion of the boy'.
Bibliographic references
  • Dorment, Richard, Alfred Gilbert, Sculptor and Goldsmith, London: Royal Academy Catalogue, 1986, pp. 116-8 Sir Alfred Gilbert and The New Sculpture, British Sculpture 1850-1930. London: The Fine Art Society, 2008, pp. 40-4
  • Penny, Nicholas. Catalogue of European Sculpture in the Ashmolean Museum, III, Oxford, 1992, p. 83
  • Bilbey, Diane and Trusted, Marjorie. British Sculpture 1470-2000. A Concise Catalogue of the Collection at the Victoria and Albert Museum. London: Victoria and Albert Museum, 2002, p. 278-9, cat.no. 425
  • Curtis, P. and Friedman, T., eds. Leeds' Sculpture Collections: Illustrated Concise Catalogue. Leeds, 1996, p. 14
  • Inventory of Works of Art Acquired by the Victoria and Albert Museum in the Years 1903 - 1904. In: List of Works of Art Acquired by the Victoria and Albert Museum, During the Year 1904, Arranged According to the Dates of Acquisition with Appendix and Indices. London: Printed for His Majesty's Stationery Office, by Wyman and Sons, Limited, 1908, p. 15
  • Cox, Machell E., Commemorative Catalogue of an exhibition of models and designs by the late Sir Alfred Gilbert R.A., exh. cat., Victoria & Albert Museum, London, Oxford, 1936, p. 17
  • McAllister, I. G., Alfred Gilbert, London, 1929, p. 88
Collection
Accession number
78-1904

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Record createdNovember 11, 2002
Record URL
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