Charity thumbnail 1
Image of Gallery in South Kensington
On display at V&A South Kensington
Sculpture, Room 21, The Dorothy and Michael Hintze Galleries

Charity

Statuette
ca. 1899 (made)
Artist/Maker
Place of origin

This bronze statuette represents Charity and is made by Sir Alfred Gilbert in ca. 1899. Gilbert was particularly interested in the techniques different surface finishes and particularly of colouring bronze, a technique he became interested during the 1890s. By 1888 the artist had met a metallurgist, William Chandler Roberts-Austen, who researched extensively on different alloys. He had a special interest in certain alloys developed by the Japanese, one of which was 'shakudo', that substituted gold for tin in the bronze and could be patinated to a purplish tone by application of a caustic solution. This is what Gilbert accomplishes here in the Charity, except in the areas of flesh, where a pickling solution is applied, giving a reddish-purple tone. The Charity seems to be the last polychromatic work by Gilbert.

The figure derives from a large memorial candlestick to the Rt. Hon Lord Arthur Russell (1825-1892), commissioned from Gilbert in 1892, completed in 1900. Showing four figures of Virtues, it is in the Bedford family chapel at St Michael Chenies, Buckinghamshire.

Sir Alfred Gilbert (1854-1934) was a famous British sculptor of the late 19th century. He was also medallist, goldsmith and draughtsman. He was known for his inventiveness and characteristically used many different materials in the same work. He epitomised the movement known as the “New Sculpture”, with a new focus on naturalistic forms. His many commissions included for example the celebrated figure of Eros, part of the Shaftsbury memorial.


Object details

Categories
Object type
TitleCharity (assigned by artist)
Materials and techniques
Bronze, cast
Brief description
Statuette, bronze, 'Charity', by Alfred Gilbert, England, ca. 1899
Physical description
Bronze statuette depicting 'Charity'. Charity is represented as a hooded woman holding two naked babies in her arms swathed in a loose cloak.
Dimensions
  • Height: 38.1cm
  • Weight: 4.36kg
Gallery label
Gilbert was particularly interested in the techniques of bronze casting and in different surface finishes. Here he used an alloy that acquired tones of different colours when treated with various pickling solutions. The figure derives from a large candlestick showing four figures of Virtues, made as a memorial to Lord Arthur Russell in the family chapel at Chenies, Buckinghamshire.(March 2007)
Object history
Originally owned by the family of the artist Alfred Drury R.A, in the possession of Anthony Radcliffe, and latterly in the Handley-Read collection. Purchased from Thomas Stainton, Beaconsfield, Buckinghamshire in 1972 for £412.50.
Subjects depicted
Summary
This bronze statuette represents Charity and is made by Sir Alfred Gilbert in ca. 1899. Gilbert was particularly interested in the techniques different surface finishes and particularly of colouring bronze, a technique he became interested during the 1890s. By 1888 the artist had met a metallurgist, William Chandler Roberts-Austen, who researched extensively on different alloys. He had a special interest in certain alloys developed by the Japanese, one of which was 'shakudo', that substituted gold for tin in the bronze and could be patinated to a purplish tone by application of a caustic solution. This is what Gilbert accomplishes here in the Charity, except in the areas of flesh, where a pickling solution is applied, giving a reddish-purple tone. The Charity seems to be the last polychromatic work by Gilbert.

The figure derives from a large memorial candlestick to the Rt. Hon Lord Arthur Russell (1825-1892), commissioned from Gilbert in 1892, completed in 1900. Showing four figures of Virtues, it is in the Bedford family chapel at St Michael Chenies, Buckinghamshire.

Sir Alfred Gilbert (1854-1934) was a famous British sculptor of the late 19th century. He was also medallist, goldsmith and draughtsman. He was known for his inventiveness and characteristically used many different materials in the same work. He epitomised the movement known as the “New Sculpture”, with a new focus on naturalistic forms. His many commissions included for example the celebrated figure of Eros, part of the Shaftsbury memorial.
Bibliographic references
  • Dorment, Richard. Alfred Gilbert. New Haven and London: Yale University Press, 1985. pp. 193-97
  • Sir Alfred Gilbert and The New Sculpture, British Sculpture 1850-1930. London: The Fine Art Society, 2008. pp. 64
  • Penny, Nicholas. Catalogue of the European Sculpture in the Ashmolean Museum, III, Oxford, 1992, p. 88.
  • Bilbey, Diane with Trusted, Marjorie. British Sculpture 1470 to 2000. A Concise Catalogue of the Collection at the Victoria and Albert Museum, London, 2002, pp. 282-3, cat. no. 432.
  • Trusted, Marjorie (ed.) The Making of Sculpture. The Materials and Techniques of European Sculpture., London, 2007, p. 64, pl. 104.
  • Handley Read, L.H-R., ‘Alfred Gilbert: a new assessment, part I: the small sculptures’, in: Connoisseur, CLXIX, September 1968, p. 109, cat. no. F.29
  • Alfred Gilbert, Sculptor and Goldsmith no.90
  • Handley-Read, Lavinia, British Sculpture: 1850-1914, London: E.C. Freeman, 1968.
  • Hammerschlag, K., 'Eliza Macloghlin and Alfred Gilbert's "Mors janua vitae"', in: Burlington, CLIX, November 2017, p.903, fig.30.
  • Jervis, Simon, Victorian and Edwardian decorative art: the Handley-Read collection, London, Royal Academy of Arts, 1972
  • Victorian High Renaissance: George Frederic Watts 1817-1904, Frederic Leighton 1830-96, Albert Moore 1841-93, Alfred Gilbert 1854-1934: an exhibition, Minneapolis Institute of Arts, 1978
  • Bluhm, Andreas, The Colour of Sculpture, 1840-1910: Van Gogh Museum, Amsterdam [and the] Hery Moore Institute, Leeds, Zwolle, Waanders, 1996
Collection
Accession number
A.8-1972

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Record createdNovember 8, 2002
Record URL
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