The Cadogan Lamp thumbnail 1
The Cadogan Lamp thumbnail 2
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Image of Gallery in South Kensington
On display at V&A South Kensington
Medieval & Renaissance, Room 64, The Wolfson Gallery

The Cadogan Lamp

Lamp
ca. 1507-1510 (made)
Artist/Maker
Place of origin

This bronze oil lamp, the so-called 'Cadogan Lamp' is in the form of an ancient galley, on the sides of which are groups of sea gods and medallions and on the cover is a statuette of a cupid mounted on a dolphin. Many oil lamps have decoration that carries symbolic meaning and is now difficult to interpret. Here one side shows the Fall of Ignorant Humanity, in the form of a fat woman flanked by two females. The other, with a youth blowing a horn into a billowing sail, represents the motto 'make haste slowly'. Usually described as a galley, this ship is in fact a fantastical vessel.

Though a functional object, this elaborate lamp is above all a work of art, designed to take its place alongside other collectibles in a scholar's study that would have primarily been illuminated by candlelight.

Riccio was trained as a goldsmith and lived and worked all his live in Padua. Today he is acknowledged as one of the greatest bronze sculptors of the Renaissance.
His statuettes, functional objects, like oil lamps, and reliefs reflect his inimitable ability to express the most refined humanist ideas prevalent in the Veneto in bronze.
He was also a specialist in rendering themes of classical mythology.
His oeuvre is sometimes overlooked because of its small scale, but it constitutes one of the most fascinating manifestations of the poetic paganism of the High Renaissance.


Object details

Categories
Object type
TitleThe Cadogan Lamp (named collection)
Materials and techniques
Bronze, partly in low relief
Brief description
Lamp, bronze, oil lamp in the form of a Galley, by Andrea Briosco called Il Riccio, Italy (Padua), ca. 1507-10
Physical description
Bronze oil lamp in the form of an ancient galley, on the sides of which are groups of sea gods and medallions in low relief, and on the cover a statuette of a cupid mounted on a dolphin. The stand is of Spanish broccatello marble.
Dimensions
  • Height: 13.3cm
  • Width: 20.9cm
  • Depth: 6cm
  • Weight: 2.12kg
Measured for the Medieval and Renaissance Galleries
Gallery label
OIL LAMP in the form of a galley About 1507-10 Andrea Riccio (about 1470-1532) Lamps were a source of light, but their decoration also carried symbolic meaning that is now difficult to interpret. Here one side shows the Fall of Ignorant Humanity, in the form of a fat woman flanked by two females. The other, with a youth blowing a horn into a billowing sail, represents the motto 'Make haste slowly'. Italy, Padua Bronze Museum no. 137-1865(2008)
Object history
Acquired at the Cadogan sale in 1865 as a sixteenth century work for £163. Bode first astutely suggested the attribution to Riccio in 1907 and has been followed by subsequent authors. Though usually described as a galley the ship is a fantasy.
Historical context
Though a functional object, this elaborate lamp is above all a work of art, designed to take its place alongside other collectibles in a scholar's study that would have primarily been illuminated by candlelight
Subjects depicted
Summary
This bronze oil lamp, the so-called 'Cadogan Lamp' is in the form of an ancient galley, on the sides of which are groups of sea gods and medallions and on the cover is a statuette of a cupid mounted on a dolphin. Many oil lamps have decoration that carries symbolic meaning and is now difficult to interpret. Here one side shows the Fall of Ignorant Humanity, in the form of a fat woman flanked by two females. The other, with a youth blowing a horn into a billowing sail, represents the motto 'make haste slowly'. Usually described as a galley, this ship is in fact a fantastical vessel.

Though a functional object, this elaborate lamp is above all a work of art, designed to take its place alongside other collectibles in a scholar's study that would have primarily been illuminated by candlelight.

Riccio was trained as a goldsmith and lived and worked all his live in Padua. Today he is acknowledged as one of the greatest bronze sculptors of the Renaissance.
His statuettes, functional objects, like oil lamps, and reliefs reflect his inimitable ability to express the most refined humanist ideas prevalent in the Veneto in bronze.
He was also a specialist in rendering themes of classical mythology.
His oeuvre is sometimes overlooked because of its small scale, but it constitutes one of the most fascinating manifestations of the poetic paganism of the High Renaissance.
Associated object
REPRO.1875-39 (Reproduction)
Bibliographic references
  • Inventory of Art Objects acquired in the Year 1865. Inventory of the Objects in the Art Division of the Museum at South Kensington, arranged According to the Dates of their Acquisition. Vol. 1. London : Printed by George E. Eyre and William Spottiswoode for H.M.S.O., 1868, p. 35
  • Ebert-Schifferer, Sybille, Natur und Antike in der Renaissance, Frankfurt: Liebieghaus - Museum Alter Plastik, 1985.
  • Radcliffe, Anthony. The Debasement of Images: the Sculptor Andrea Riccio and the Applied Arts in Padua in the Sixteenth Century. In: Currie, Stuart and Motture, Peta, ed. The Sculpted Object 1400-1700. Aldershot: Scolar Press, 1997, p. 88, fig. 5.1
  • Radcliffe, Anthony. Bronze Oil Lamps by Riccio. In: Victoria and Albert Museum Yearbook No. 3 London: Victoria and Albert Museum, 1972, pp. 29-58
  • Allen, Denise and Peta Motture (eds.), Andrea Riccio: Renaissance Master of Bronze, New York: The Frick Collection, 2008.
Collection
Accession number
137-1865

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Record createdNovember 8, 2002
Record URL
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