Trade Card thumbnail 1
Trade Card thumbnail 2
Image of Gallery in South Kensington
Request to view at the Prints & Drawings Study Room, level C , Case MB2B, Shelf GG, Box 66

Trade Card

ca.1761 (printed)
Artist/Maker
Place of origin

The trade card is illustrated with an interior view of the premises of Dorothy Mercer. A young couple on the right examine a print; to the left a man seated in a chair examines a print with an eye glass, and behind him stands another man. On the right a young boy enters the scene holding a portfolio and roll of paper. At the centre of the scene is a woman, presumably Dorothy Mercier, pointing to a wall on which pictures are displayed. The illustration is framed by an ornamental Rococo border.


Object details

Categories
Object type
Materials and techniques
Engraving and etching on paper
Brief description
Trade card of Dorothy Mercier, Printseller and Stationer Stationer at the Golden Ball, Windmill Street, London. Engraving and etching, illustrated with an interior view of the premises, ca.1761.
Physical description
The trade card is illustrated with an interior view of the premises of Dorothy Mercer. A young couple on the right examine a print; to the left a man seated in a chair examines a print with an eye glass, and behind him stands another man. On the right a young boy enters the scene holding a portfolio and roll of paper. At the centre of the scene is a woman, presumably Dorothy Mercier, pointing to a wall on which pictures are displayed. The illustration is framed by an ornamental Rococo border.
Dimensions
  • Height: 25.4cm
  • Width: 14.9cm
Dimensions taken from Victoria & Albert Museum Department of Prints and Drawings and Department of Paintings, Accessions 1967. London: HMSO, 1968.
Style
Marks and inscriptions
  • 'Dorothy Mercier, Printseller and Stationer at the Golden Ball, in Windmill Street, facing Silver Street, Golden Square, London.' (Lettered at header of advertisement)
  • 'Sells all sorts of Italian, French, and Flemish Prints. / Buys & Sells all manner of Old Prints. / Likewise Frames Prints in the Neatest and Genteelest Taste / Where may be had all Sorts of Papers for Drawing &c. / The best Black Lead Pencils, Black, Red & White Chalk. / Variety of Water Colours, and Camels Hair Pencils. / The best Dutch Sealing Wax. / Sells Flower Pieces in Water Colours, Painted by her self from the Life. / And Fanns for Ladies in a New & Elegant Manner. / Also all sorts of Shop Books, Finest Writing Paper Both Gilt & Plain in all sizes. / English, Dutch, & French Drawing Paper, abortive Vellum for Drawing, / Writing Vellum, the Silk Paper for Drawing, with Different Sizes of / Message Paper, & Message Cards, Fine Black Brown & Blue Indian Ink. (Lettered)
Credit line
Given by Mr Aubrey J. Toppin, CVO
Object history
Heal states that although the costumes are those of 1750-60, another impression in the Banks Collection in the British Museum is dated 1781. The chart on the wall advertising styles of wigs simulated Hogarth's 'Five Orders of Periwigs', published 1761. Dorothy Mercier was a miniaturist and flower painter, who exhibited at the Society of Artists in 1761.
Subjects depicted
Association
Bibliographic reference
Victoria and Albert Museum Department of Prints and Drawings and Department of Paintings, Accessions 1967 . London: HMSO, 1968.
Collection
Accession number
E.291-1967

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Record createdJune 30, 2009
Record URL
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