(Tasse) Gobelet Hebert thumbnail 1
(Tasse) Gobelet Hebert thumbnail 2
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Image of Gallery in South Kensington
On display at V&A South Kensington
Europe 1600-1815, Room 1

(Tasse) Gobelet Hebert

Cup and Saucer
1766 (made)
Artist/Maker
Place of origin

Tea drinking never became as fashionable in France as in other European countries. But the practice existed at an aristocratic level as an alternative to the usual coffee and chocolate. So-called cabaret sets or déjeuners consisted of complete services on a tray for just one or two people. The Vincennes/Sèvres factory gave them the most luxurious treatment, since its patrons were the wealthiest members of French society.

This is an example of the smallest type of tea set made by the factory, a déjeuner carré, and comprises a single cup and saucer on a square tray with pierced sides. Individual tea sets first appear in the factory records in 1755, and the sales records (most of which have miraculously survived) prove that the purchasers were often the most important members of the court, including the King and his mistress the Madame de Pompadour. This example has extremely unusual ground decoration comprising different shapes painted in relief, scattered like confetti on a background of gilded dots. Some shapes appear to be abstract, but others clearly depict objects including a butterfly, a jug, a heart, a bottle, dividers etc. It is possible this decoration was inspired by richly jewelled material, enamels or confectionary. The reserves were painted by the decorator André-Vincent Vielliard. While the tray has gardening implements, the cup and saucer have different implements needed to make and serve tea, coffee and chocolate. On the saucer, Vielliard has included in a group of porcelain and a coffee-grinder next to a tall pointed object. This is a sugar loaf, the standard way sugar was bought in the 18th century, partially wrapped in its traditional blue paper. The sugar is the costly refined white type.


Object details

Categories
Object type
Parts
This object consists of 2 parts.

  • Cups
  • Saucer
Title(Tasse) Gobelet Hebert (manufacturer's title)
Materials and techniques
Soft-paste porcelain painted with enamels and gilded
Brief description
Cup and saucer of soft-paste porcelain painted with enamels and gilded, painted by Vielliard, Sèvres porcelain factory, Sèvres, 1766.
Physical description
Cup and saucer, probably for coffee, of soft-paste porcelain painted with enamels and gilded. Each with a panel with a garden scene showing the preparation of coffee. The ground outside the panel is painted pink dotted with gold and covered with a confetti of crescents, beans, stars, set square and other emblems. Openwork rim.
Dimensions
  • Cup height: 2¾in (imperial measurement from register)
  • Cup diameter: 3in (imperial measurement from register)
  • Saucer diameter: 5¼in (imperial measurement from register)
Marks and inscriptions
  • Interlaced 'L's with date letter 'n' and one dot below (Maker's mark in blue enamel)
  • A label (Painter's mark in blue enamel for André-Vincent Vielliard)
  • 'L9.' (Incised)
Gallery label
Cup, saucer and tray 1766 The saucer shows the preparation of coffee. A copper pot is being heated over a brazier with the aid of bellows. To the right are a coffee grinder, a sugar loaf and a porcelain jar, sugar bowl, cup and saucer. No milk jug is shown: both coffee and tea could be taken black or served with hot or cold milk. France (Paris) Made at the Sèvres factory Porcelain painted in enamels and gilded Bequeathed by Mr John George Joicey (09/12/2015)
Credit line
Bequeathed by Mr John George Joicey
Subjects depicted
Summary
Tea drinking never became as fashionable in France as in other European countries. But the practice existed at an aristocratic level as an alternative to the usual coffee and chocolate. So-called cabaret sets or déjeuners consisted of complete services on a tray for just one or two people. The Vincennes/Sèvres factory gave them the most luxurious treatment, since its patrons were the wealthiest members of French society.

This is an example of the smallest type of tea set made by the factory, a déjeuner carré, and comprises a single cup and saucer on a square tray with pierced sides. Individual tea sets first appear in the factory records in 1755, and the sales records (most of which have miraculously survived) prove that the purchasers were often the most important members of the court, including the King and his mistress the Madame de Pompadour. This example has extremely unusual ground decoration comprising different shapes painted in relief, scattered like confetti on a background of gilded dots. Some shapes appear to be abstract, but others clearly depict objects including a butterfly, a jug, a heart, a bottle, dividers etc. It is possible this decoration was inspired by richly jewelled material, enamels or confectionary. The reserves were painted by the decorator André-Vincent Vielliard. While the tray has gardening implements, the cup and saucer have different implements needed to make and serve tea, coffee and chocolate. On the saucer, Vielliard has included in a group of porcelain and a coffee-grinder next to a tall pointed object. This is a sugar loaf, the standard way sugar was bought in the 18th century, partially wrapped in its traditional blue paper. The sugar is the costly refined white type.
Associated object
Collection
Accession number
C.1400&A-1919

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Record createdNovember 4, 2002
Record URL
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