Vishnu and Lakshmi
Painting
ca. 1870 (made)
ca. 1870 (made)
Artist/Maker | |
Place of origin |
The Hindu god Vishnu is shown in this painting in the form he takes between the destruction of one universe and the creation of the next, an episode that repeats in the unending cycle of creation and destruction in Hindu thought. He reclines on the giant serpent Shesha, floating on the primeval waters, with his wife Lakshmi at his feet. From his navel there rises a lotus stalk crowned by a flower, from which Brahma, the god associated with creation, will appear and re-create the universe. The purity of the lotus flower as a fitting vehicle for the birth of a god is a theme found elsewhere in Hinduism and Buddhism. This painting may have been made for the enjoyment of a local ruler and was probably the work of local artists.
Object details
Categories | |
Object type | |
Title | Vishnu and Lakshmi (generic title) |
Materials and techniques | Painted in opaque watercolour on paper |
Brief description | Painting, Vishnu and Lakshmi on the great snake, opaque watercolour on paper, Pahari, Kangra, ca. 1870 |
Physical description | Painting, in opaque watercolour on paper, depicting Vishnu and Lakshmi on the great snake. |
Dimensions |
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Content description | Vishnu and Lakshmi on the great snake. |
Styles | |
Credit line | P. C. Manuk and Miss G. M. Coles Bequest through Art Fund |
Subjects depicted | |
Summary | The Hindu god Vishnu is shown in this painting in the form he takes between the destruction of one universe and the creation of the next, an episode that repeats in the unending cycle of creation and destruction in Hindu thought. He reclines on the giant serpent Shesha, floating on the primeval waters, with his wife Lakshmi at his feet. From his navel there rises a lotus stalk crowned by a flower, from which Brahma, the god associated with creation, will appear and re-create the universe. The purity of the lotus flower as a fitting vehicle for the birth of a god is a theme found elsewhere in Hinduism and Buddhism. This painting may have been made for the enjoyment of a local ruler and was probably the work of local artists. |
Bibliographic reference | Indian paintings from the Punjab Hills : a survey and history of Pahari miniature painting / by W. G. Archer ; foreword by Sherman E. Lee. London :Delhi: Sotheby Parke Bernet ;Oxford University Press, 1973 Number: 0856670022
p. 309, cat. no. 75. |
Collection | |
Accession number | IS.19-1949 |
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Record created | October 29, 2002 |
Record URL |
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