M. Anne Charlotte Corday
Print
1799 (published), 1799 (made)
1799 (published), 1799 (made)
Artist/Maker | |
Place of origin |
This print shows Charlotte Corday ascending the scaffold before facing her death at the guillotine. Her crime was to have assassinated Jean-Paul Marat, a powerful journalist and political figure during the early stages of the French Revolution. Marat’s writings and influence helped push the French Revolution in a more extreme direction. His essays and journals attacked those he considered to be enemies of the revolution and Republicanism, and justified the violence of the Terror. Charlotte Corday came from a royalist family and sympathised with the moderate Girondin faction, who had come under harsh attack from Marat. She gained an audience with him under false pretences, posing as an informant, and used the opportunity to stab him in the chest. Charlotte Corday was guillotined shortly after the assassination. At her trial she claimed that she “killed one man to save a hundred thousand”. Although executed as an enemy of the state this print shows that she was seen as a heroine for many people in both England and France. In this series Idnarpila also engraved an image of the revolutionary politician Robespierre's 1794 execution by guillotine, which ended the reign of Terror.
Object details
Categories | |
Object type | |
Title | M. Anne Charlotte Corday (assigned by artist) |
Materials and techniques | Stipple engraving |
Brief description | M. Anne Charlotte Corday by James Idnarpila (Giacomo Aliprandi) after the painting by J Beys (Giacomo Beys) |
Physical description | Engraving depicting Charlotte Corday as she steps up to guillotine. Her hands are tied. She steps from a ladder onto the platform where two men are waiting for her, one gesturing towards the guillotine. The platform is surrounded by a crowd with some carrying bayonets. |
Dimensions |
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Marks and inscriptions |
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Gallery label | The Execution of Charlotte Corday
1799
Charlotte Corday was born into a minor aristocratic family. In 1793, she stabbed the radical leader Jean- Paul Marat to death. Guillotined after a brief trial, she was vilified by revolutionaries and hailed as a martyr by their opponents. Her fate captured popular imagination and her story circulated widely in prints throughout Europe.
England (London)
By James Idnarpila (Giacomo Aliprandi) after Giacomo Beys
Stipple engraving
Bequeathed by Mrs G.M. Spear
(09/12/2015) |
Credit line | Bequeathed by Mrs G M Spear |
Subjects depicted | |
Place depicted | |
Summary | This print shows Charlotte Corday ascending the scaffold before facing her death at the guillotine. Her crime was to have assassinated Jean-Paul Marat, a powerful journalist and political figure during the early stages of the French Revolution. Marat’s writings and influence helped push the French Revolution in a more extreme direction. His essays and journals attacked those he considered to be enemies of the revolution and Republicanism, and justified the violence of the Terror. Charlotte Corday came from a royalist family and sympathised with the moderate Girondin faction, who had come under harsh attack from Marat. She gained an audience with him under false pretences, posing as an informant, and used the opportunity to stab him in the chest. Charlotte Corday was guillotined shortly after the assassination. At her trial she claimed that she “killed one man to save a hundred thousand”. Although executed as an enemy of the state this print shows that she was seen as a heroine for many people in both England and France. In this series Idnarpila also engraved an image of the revolutionary politician Robespierre's 1794 execution by guillotine, which ended the reign of Terror. |
Collection | |
Accession number | E.1019-1970 |
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Record created | June 30, 2009 |
Record URL |
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