Three Circles thumbnail 1
Three Circles thumbnail 2
+1
images
Not currently on display at the V&A

Three Circles

Furnishing Fabric
1937 (made)
Artist/Maker
Place of origin

Edinburgh Weavers was set up in 1928 by James Morton as a subsidiary of Morton Sundour, with the specific aim of creating a new range of woven textiles which would compliment modern interior design. In 1932 the company was taken over by Morton's son Alastair, an artist and designer who experimented with hand screen printing.

Morton commissioned a number of ground-breaking aritsts among the avant garde of British modernism in the 1930s including Ben Nicholson, a close friend of Morton's. The range of 'Constructivist Fabrics' launched in 1937 included three designs by Nicholson, who the same year co-edited Circle, International Survey of Constructive Art, a direct attempt to establish a distinctive form of modernism in Britain.


Object details

Categories
Object type
TitleThree Circles (assigned by artist)
Materials and techniques
Screen-printed cotton and rayon
Brief description
Furnishing fabric 'Three Circles' of screen-printed cotton and rayon, designed by Ben Nicholson, made by Edinburgh Weavers, Carlisle 1937.
Physical description
Furnishing fabric of screen-printed cotton and rayon. Horizontal bands in lilac are decorated with outlines of circles alternating with bands of beige and white of varying thicknesses and thin red stripes. Thin white vertical stripes run across the design at intervals.
Dimensions
  • Length: 183cm
  • Length: 72in
  • Width: 52in
  • Diameter: 87mm (Note: Diameter of roller.)
Object history
Historical significance: This and CIRC.170-1938, CIRC.471-1939, CIRC.523-1954 and CIRC.172-1938 are from the range of 'Constructivist Textiles' designed by Barbara Hepworth and Ben Nicholson for Edinburgh Weavers in Autumn 1937.

The same design as CIRC.471-1939 except the circles are omitted in the latter and the colours are different.
Summary
Edinburgh Weavers was set up in 1928 by James Morton as a subsidiary of Morton Sundour, with the specific aim of creating a new range of woven textiles which would compliment modern interior design. In 1932 the company was taken over by Morton's son Alastair, an artist and designer who experimented with hand screen printing.

Morton commissioned a number of ground-breaking aritsts among the avant garde of British modernism in the 1930s including Ben Nicholson, a close friend of Morton's. The range of 'Constructivist Fabrics' launched in 1937 included three designs by Nicholson, who the same year co-edited Circle, International Survey of Constructive Art, a direct attempt to establish a distinctive form of modernism in Britain.
Bibliographic reference
Hollis, Marianne and Opie, Jennifer. Thirties: British Art and Design before the war. London : Arts Council, 1979. Catalogue 10.7.
Collection
Accession number
CIRC.470-1939

About this object record

Explore the Collections contains over a million catalogue records, and over half a million images. It is a working database that includes information compiled over the life of the museum. Some of our records may contain offensive and discriminatory language, or reflect outdated ideas, practice and analysis. We are committed to addressing these issues, and to review and update our records accordingly.

You can write to us to suggest improvements to the record.

Suggest feedback

Record createdOctober 18, 2002
Record URL
Download as: JSONIIIF Manifest