Gold Figure of Ranganata
Painting
ca. 1800 (made), ca. 1800 (made)
ca. 1800 (made), ca. 1800 (made)
Artist/Maker | |
Place of origin |
This painting shows a view of the Vaisnavite temple of Ranganata at Srirangam, near Tiruchirapalli (Trichinoply). It was one of the most auspicious Vaisanava temples of south India. Here, we can see the celebration of the annual Vaiyali festival, during which male devotees carried a portable silver image of the deity on horseback in a procession on a palanquin. In the background are the walls and gateways (‘gopura’) of the temple which normally housed this portable icon.
The painting is typical of those commissioned by members of the English East India Company and other European expatriates living in India in the early 19th century. Such naturalistic paintings provide the best observed record of devotional and other aspects of Indian life in the period immediately preceding the advent of photography.
The painting is typical of those commissioned by members of the English East India Company and other European expatriates living in India in the early 19th century. Such naturalistic paintings provide the best observed record of devotional and other aspects of Indian life in the period immediately preceding the advent of photography.
Object details
Categories | |
Object type | |
Title | Gold Figure of Ranganata (generic title) |
Materials and techniques | Gouache on paper |
Brief description | Painting; gouache, Gold Figure of Ranganata, Tanjore, ca. 1800 |
Physical description | Gold figure of Ranganata on horseback being carried in procession at the festival of Vaiyali. A pennant-bearer on an elephant. In the background, the Temple of Raghunathaswami at Shrirangam. |
Dimensions |
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Style | |
Marks and inscriptions | 'Stree Rungum God setout upon Horse Back.' (Inscribed on fly-leaves with titles) |
Production | Tanjavur school, Tamilnadu, south India |
Subjects depicted | |
Summary | This painting shows a view of the Vaisnavite temple of Ranganata at Srirangam, near Tiruchirapalli (Trichinoply). It was one of the most auspicious Vaisanava temples of south India. Here, we can see the celebration of the annual Vaiyali festival, during which male devotees carried a portable silver image of the deity on horseback in a procession on a palanquin. In the background are the walls and gateways (‘gopura’) of the temple which normally housed this portable icon. The painting is typical of those commissioned by members of the English East India Company and other European expatriates living in India in the early 19th century. Such naturalistic paintings provide the best observed record of devotional and other aspects of Indian life in the period immediately preceding the advent of photography. |
Bibliographic references |
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Other number | 8807 - Previous number |
Collection | |
Accession number | AL.8807 |
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Record created | October 2, 2002 |
Record URL |
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