Gold Figure of Ranganata thumbnail 1
Not currently on display at the V&A

Gold Figure of Ranganata

Painting
ca. 1800 (made), ca. 1800 (made)
Artist/Maker
Place of origin

This painting shows a view of the Vaisnavite temple of Ranganata at Srirangam, near Tiruchirapalli (Trichinoply). It was one of the most auspicious Vaisanava temples of south India. Here, we can see the celebration of the annual Vaiyali festival, during which male devotees carried a portable silver image of the deity on horseback in a procession on a palanquin. In the background are the walls and gateways (‘gopura’) of the temple which normally housed this portable icon.

The painting is typical of those commissioned by members of the English East India Company and other European expatriates living in India in the early 19th century. Such naturalistic paintings provide the best observed record of devotional and other aspects of Indian life in the period immediately preceding the advent of photography.


Object details

Categories
Object type
TitleGold Figure of Ranganata (generic title)
Materials and techniques
Gouache on paper
Brief description
Painting; gouache, Gold Figure of Ranganata, Tanjore, ca. 1800
Physical description
Gold figure of Ranganata on horseback being carried in procession at the festival of Vaiyali. A pennant-bearer on an elephant. In the background, the Temple of Raghunathaswami at Shrirangam.
Dimensions
  • Length: 43cm
  • Width: 59cm
Style
Marks and inscriptions
'Stree Rungum God setout upon Horse Back.' (Inscribed on fly-leaves with titles)
Production
Tanjavur school, Tamilnadu, south India
Subjects depicted
Summary
This painting shows a view of the Vaisnavite temple of Ranganata at Srirangam, near Tiruchirapalli (Trichinoply). It was one of the most auspicious Vaisanava temples of south India. Here, we can see the celebration of the annual Vaiyali festival, during which male devotees carried a portable silver image of the deity on horseback in a procession on a palanquin. In the background are the walls and gateways (‘gopura’) of the temple which normally housed this portable icon.

The painting is typical of those commissioned by members of the English East India Company and other European expatriates living in India in the early 19th century. Such naturalistic paintings provide the best observed record of devotional and other aspects of Indian life in the period immediately preceding the advent of photography.
Bibliographic references
  • L'escultura en el temples indis : l'art de la devoció : exposició organitzada per la Fundació "La Caixa" i el Victoria & Albert Museum, Londres. [Barcelona: Obra social, Fundació "la Caixa", c2007 Number: 9788476649466 p.198, Cat.152
  • Archer, Mildred. Company Paintings Indian Paintings of the British period Victoria and Albert Museum Indian Series London: Victoria and Albert Museum, Maplin Publishing, 1992, 55 p. ISBN 0944142303
Other number
8807 - Previous number
Collection
Accession number
AL.8807

About this object record

Explore the Collections contains over a million catalogue records, and over half a million images. It is a working database that includes information compiled over the life of the museum. Some of our records may contain offensive and discriminatory language, or reflect outdated ideas, practice and analysis. We are committed to addressing these issues, and to review and update our records accordingly.

You can write to us to suggest improvements to the record.

Suggest feedback

Record createdOctober 2, 2002
Record URL
Download as: JSONIIIF Manifest