Not currently on display at the V&A

Hot Water Jug

late 18th century (made)
Artist/Maker
Place of origin

Hot-water jugs were essential for making and serving tea. For much of the 18th century tea was relatively expensive. The thrifty hostess refreshed the existing brew with hot water rather than making a fresh one. By the latter part of the 18th century, people often bought tea services piecemeal.

People liked faceted or fluted vessels, such as this hot-water pot, because of their classical style. However, Sheffield plate vessels in this Neo-classical style had disadvantages. The plate was a fusion of copper and silver. The ridges which you can see here were particularly prone to wear, when the silver surface rubbed off and exposed the copper core. The growing number of Neo-classical designs for Sheffield plate led to the decline of the style. The platers had difficulties transferring silversmithing techniques such as casting and engraving to Sheffield plate. Techniques such as chasing and machine stamping became more common. They replaced engraving directly onto the surface of a plated vessel, which ran the risk of exposing the underlying copper.

Thomas Boulsover, a Sheffield cutler, invented Sheffield plate in about 1742. The new material revolutionised the plating industry. It provided an inexpensive, versatile and durable plating technique that could imitate solid silver.


Object details

Categories
Object type
Materials and techniques
Sheffield plate, with a holly handle
Brief description
Hot water jug, Sheffield plate, late 18th century
Physical description
Urn-shaped body of oval section; the domed lid surmounted by a plain knob; holly-wood handle; the lower part of the body is gadrooned and the shoulder encircled by a bright-cut band of flowers and lozenges.
Dimensions
  • Height: 11.875in
Style
Production typeMass produced
Credit line
C. Ingleson Goodison Bequest
Production
Reason For Production: Retail
Subject depicted
Summary
Hot-water jugs were essential for making and serving tea. For much of the 18th century tea was relatively expensive. The thrifty hostess refreshed the existing brew with hot water rather than making a fresh one. By the latter part of the 18th century, people often bought tea services piecemeal.

People liked faceted or fluted vessels, such as this hot-water pot, because of their classical style. However, Sheffield plate vessels in this Neo-classical style had disadvantages. The plate was a fusion of copper and silver. The ridges which you can see here were particularly prone to wear, when the silver surface rubbed off and exposed the copper core. The growing number of Neo-classical designs for Sheffield plate led to the decline of the style. The platers had difficulties transferring silversmithing techniques such as casting and engraving to Sheffield plate. Techniques such as chasing and machine stamping became more common. They replaced engraving directly onto the surface of a plated vessel, which ran the risk of exposing the underlying copper.

Thomas Boulsover, a Sheffield cutler, invented Sheffield plate in about 1742. The new material revolutionised the plating industry. It provided an inexpensive, versatile and durable plating technique that could imitate solid silver.
Bibliographic references
  • Bambery, Anneke Old Sheffield Plate, Aylesbury, Shire Publications Ltd., 1988 ISBN 0852639651
  • Singleton, H. Raymond Old Sheffield Plate, Sheffield, Sheffield City Museum, 1966
  • Bradbury, Frederick, History of Old Sheffield Plate, London, Macmillan and Co Ltd., 1912
Collection
Accession number
M.345-1940

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Record createdSeptember 30, 2002
Record URL
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