Queen Victoria
Bust
1888 (made)
1888 (made)
| Artist/Maker | |
| Place of origin |
Object Type
The occasion for the commission of this formal marble bust is unknown; the piece was acquired by the Museum in 1963. In addition to her other decorations, the Queen is shown wearing the badge of the Imperial Order of the Star of India and the Royal Red Cross (instituted in 1883).
People
Count Gleichen (Viktor Ferdinand Franz Eugen Gustav Adolf Constantin Friedrich Prinz von Hohenlohe-Langenburg) was the son of a half-sister of Queen Victoria. He served in the Royal Navy, and was promoted Admiral in 1887. After losing all his fortune in a bank crash, he became a professional sculptor and was accorded a studio in St James's Palace. He had been a pupil of William Theed (1804-1891), one of the sculptors favoured by Queen Victoria. Gleichen exhibited frequently at the Royal Academy, and his daughter Fedora, Countess Gleichen, also became a sculptor.
Materials & Making
Marble busts were among the most popular and prestigious types of public portrait undertaken in Britain during the Victorian period. The marble, a relatively expensive material, was imported, usually from Italy via The Netherlands, since there are no marble quarries in this country. The skills needed to carve marble might also be learned abroad, where an aspiring artist would probably gain his most important training assisting an established sculptor.
The occasion for the commission of this formal marble bust is unknown; the piece was acquired by the Museum in 1963. In addition to her other decorations, the Queen is shown wearing the badge of the Imperial Order of the Star of India and the Royal Red Cross (instituted in 1883).
People
Count Gleichen (Viktor Ferdinand Franz Eugen Gustav Adolf Constantin Friedrich Prinz von Hohenlohe-Langenburg) was the son of a half-sister of Queen Victoria. He served in the Royal Navy, and was promoted Admiral in 1887. After losing all his fortune in a bank crash, he became a professional sculptor and was accorded a studio in St James's Palace. He had been a pupil of William Theed (1804-1891), one of the sculptors favoured by Queen Victoria. Gleichen exhibited frequently at the Royal Academy, and his daughter Fedora, Countess Gleichen, also became a sculptor.
Materials & Making
Marble busts were among the most popular and prestigious types of public portrait undertaken in Britain during the Victorian period. The marble, a relatively expensive material, was imported, usually from Italy via The Netherlands, since there are no marble quarries in this country. The skills needed to carve marble might also be learned abroad, where an aspiring artist would probably gain his most important training assisting an established sculptor.
Object details
| Categories | |
| Object type | |
| Title | Queen Victoria (generic title) |
| Materials and techniques | Marble |
| Brief description | Bust, marble, of Queen Victoria, by Count Victor (Prince Victor) Gleichen (Hohenlohe-Langenburg), English, 1888 |
| Physical description | The head of Queen Victoria is turned slightly to the viewer's right. She wears a small crown over a veil. The Garter sash passes over her left shoulder. The bust finishes in a corsage of laurels, tied with a bow. |
| Dimensions |
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| Marks and inscriptions |
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| Gallery label |
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| Credit line | Given by Gerald Kerin Ltd. |
| Object history | Given by Messrs Gerald Kerin Ltd., 9 Mount Street, London, in 1963. |
| Subjects depicted | |
| Summary | Object Type The occasion for the commission of this formal marble bust is unknown; the piece was acquired by the Museum in 1963. In addition to her other decorations, the Queen is shown wearing the badge of the Imperial Order of the Star of India and the Royal Red Cross (instituted in 1883). People Count Gleichen (Viktor Ferdinand Franz Eugen Gustav Adolf Constantin Friedrich Prinz von Hohenlohe-Langenburg) was the son of a half-sister of Queen Victoria. He served in the Royal Navy, and was promoted Admiral in 1887. After losing all his fortune in a bank crash, he became a professional sculptor and was accorded a studio in St James's Palace. He had been a pupil of William Theed (1804-1891), one of the sculptors favoured by Queen Victoria. Gleichen exhibited frequently at the Royal Academy, and his daughter Fedora, Countess Gleichen, also became a sculptor. Materials & Making Marble busts were among the most popular and prestigious types of public portrait undertaken in Britain during the Victorian period. The marble, a relatively expensive material, was imported, usually from Italy via The Netherlands, since there are no marble quarries in this country. The skills needed to carve marble might also be learned abroad, where an aspiring artist would probably gain his most important training assisting an established sculptor. |
| Bibliographic reference | Bilbey, Diane and Trusted, Marjorie. British Sculpture 1470-2000. A Concise Catalogue of the Collection at the Victoria and Albert Museum. London: Victoria and Albert Museum, 2002, p. 286, cat.no. 440 |
| Collection | |
| Accession number | A.16-1963 |
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| Record created | September 6, 2002 |
| Record URL |
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