Boy Playing the Bagpipes thumbnail 1
Boy Playing the Bagpipes thumbnail 2
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Image of Gallery in South Kensington
On display at V&A South Kensington
Sculpture, Room 23, The Dorothy and Michael Hintze Galleries

Boy Playing the Bagpipes

Statue
ca. 1680-1690 (made)
Artist/Maker
Place of origin

This is a fine example of late 17th-century garden sculpture; its weathered surface is evidence of its exposure to the elements. The subject may be related to genre works produced by the Netherlandish sculptor Pieter Xavery (active 1667-1674), and connections have also been suggested with the bronze statuettes by Giambologna (1529-1608). The sculptor Caius Gabriel Cibber (1630-1700) was a native of Denmark, and also studied in the Netherlands and Rome, before settling in England in the 1650s. He was appointed Sculptor in Ordinary to William III, in 1693. Cibber introduced a fluent style of sculpture, as well as new figurative subjects into Britain, thanks to his training in Europe.


Object details

Category
Object type
TitleBoy Playing the Bagpipes (popular title)
Materials and techniques
Carved Portland stone
Brief description
Statue, portland stone, Boy Playing the Bagpipes, by Caius Gabriel Cibber, ca. 1680-1690
Physical description
Seated figure of a boy in breeches, coat and wide-brimmed hat, playing the bagpipes. A small dog is seated nearby.
Dimensions
  • Of figure height: 108cm
  • Plinth weight: 268kg
  • Of figure width: 51cm
  • Of figure depth: 59cm
  • Of plinth height: 134cm
  • Of plinth width: 60.5cm
  • Of plinth depth: 66cm
Weight: 551 kg - object plinths
Gallery label
Caius Gabriel Cibber (1630–1700) Boy Playing the Bagpipes About 1680–90 Cibber was born in Denmark and travelled to Italy and the Netherlands before settling in England in the 1650s. Influenced by these travels, he introduced to Britain new figurative subjects depicting everyday life, called genre sculpture. Boy Playing the Bagpipes is a typical example of this type of garden sculpture. Its surface has been weathered by exposure to the elements over many years outdoors. London Portland stone Probably commissioned by the Duke of Argyll; later in the gardens at Stowe House, Buckinghamshire(2021)
Object history
This work was probably made for the Duke of Argyll, as it was housed at his house in Whitton for 100 years. It was then moved to 178 Tottenham Court Road occupied by the studio of a sculptor named Hinchliff. Later it was under the possession of Hinchliff's son, with whom it remained until ca. 1835. At some point it was removed to Stowe House, Buckinghamshire. It was included in the Stowe sale of 1848, sold as lot 134 for £38 17s 0d to a Mr. J Browne. Re-purchased by Mr. Mark Philips. Then in the gardens at Snitterfield, Mr Philip's seat at Warwickshire. Later in the possession of Sir George Trevelyan at Welcombe. Then included in the sale of garden ornaments held by Sotheby's in 1929 and bought in for 115. It was then acquired by the museum by private treaty, via Alfred Spero and Kerin Ltd, London in 1930 for 150.
Subjects depicted
Summary
This is a fine example of late 17th-century garden sculpture; its weathered surface is evidence of its exposure to the elements. The subject may be related to genre works produced by the Netherlandish sculptor Pieter Xavery (active 1667-1674), and connections have also been suggested with the bronze statuettes by Giambologna (1529-1608). The sculptor Caius Gabriel Cibber (1630-1700) was a native of Denmark, and also studied in the Netherlands and Rome, before settling in England in the 1650s. He was appointed Sculptor in Ordinary to William III, in 1693. Cibber introduced a fluent style of sculpture, as well as new figurative subjects into Britain, thanks to his training in Europe.
Bibliographic references
  • M. Whinney Sculpture in Britain 1530 to 1830 (revised by J. Physick) London, 1988 (2nd Ed.) p114
  • Roscoe, I. Of statues, obelisks, dyals and other invegetative ornaments. Sources and meanings for English garden statues. January 1995. CXL. p. 39. fig. 3. (eb. 393)
  • Trusted, Majorie. ed. The Making of Sculpture: the Materials and Techniques of European Sculpture. London: V&A Publications, 2007. p. 101. pl. 176.
  • Bilbey, Diane and Trusted Marjorie. British Sculpture 1470 to 2000. A Concise Catalogue of the Collection at the Victoria and Albert Museum. London, 2002. p. 2. cat. no. 1.
  • Cf. Avery, C., Radcliffe, A. Giambologna 1529-1608 Sculptor to the Medici. London, 1978. p. 164. cat. nos. 135, 136.
Collection
Accession number
A.3-1930

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Record createdSeptember 5, 2002
Record URL
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