Tobias and the Angel thumbnail 1
Not currently on display at the V&A

Tobias and the Angel

Panel
mid 16th century (made)
Artist/Maker
Place of origin

This panel shows an episode from the Old Testament story of Tobias and the Angel. Tobias was sent by his blind father to collect a debt. He was accompanied on his journey by his dog and the Archangel Raphael in disguise. The angel told Tobias to catch a fish and extract its bile to make a potion to cure his father’s blindness.

The decorative technique used here was developed in the early part of the 14th century. It consisted of painting a compound of silver on the back of the glass which, after firing in a kiln, turns yellow. Depending on the quality and quantity of the silver stain used, the resulting colour ranged from a lemon-yellow to a burnt-orange.

Stained glass panels like this one played an important part in transmitting the central beliefs of the Christian church. When literacy was not widespread, stained glass windows were like large and colourful picture storybooks in which worshippers could ‘read’ the stories of the Bible.


Object details

Categories
Object type
TitleTobias and the Angel (generic title)
Materials and techniques
Stained glass
Brief description
Stained glass panel depicting Tobias and the Angel, Flemish, Mid 16th century.
Physical description
Stained glassd panel depicting Tobias and the Angel.
Dimensions
  • Height: 5.25in
  • Width: 6.75in
  • Height: 58.2cm (Note: unframed composite panel)
  • Width: 41.4cm
Credit line
Bequeathed by Mr. Walter Guthrie
Subjects depicted
Summary
This panel shows an episode from the Old Testament story of Tobias and the Angel. Tobias was sent by his blind father to collect a debt. He was accompanied on his journey by his dog and the Archangel Raphael in disguise. The angel told Tobias to catch a fish and extract its bile to make a potion to cure his father’s blindness.

The decorative technique used here was developed in the early part of the 14th century. It consisted of painting a compound of silver on the back of the glass which, after firing in a kiln, turns yellow. Depending on the quality and quantity of the silver stain used, the resulting colour ranged from a lemon-yellow to a burnt-orange.

Stained glass panels like this one played an important part in transmitting the central beliefs of the Christian church. When literacy was not widespread, stained glass windows were like large and colourful picture storybooks in which worshippers could ‘read’ the stories of the Bible.
Collection
Accession number
C.384-1934

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Record createdJuly 31, 2002
Record URL
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