An Ayyar murders Qubad in his sleep thumbnail 1
An Ayyar murders Qubad in his sleep thumbnail 2
Not currently on display at the V&A

An Ayyar murders Qubad in his sleep

Painting
ca. 1562-1577 (made)
Artist/Maker
Place of origin

The Hamzanama, or 'Book of Hamza' was commissioned by the great Mughal emperor Akbar in the mid-16th century. The epic story of a character based very loosely on the life of the uncle of the Prophet Muhammad chronicles the fantastic adventures of Hamza as he and his band of heroes fight against the enemies of Islam. The stories, from a long-established oral tradition, were written down in Persian, the language of the court, in multiple volumes. These originally had 1400 illustrations, of which fewer than 200 survive today. Work probably began in about 1562 and took 15 years to complete.
The only contemporary version of the text is that on the reverse of the few remaining paintings, making it difficult to reconstruct the stories.
This illustration depicts the murder of Hamza's second son, Qubad. Hamza's father-in-law, Anushirvan, had ordered one of his servants to kill a particular prince. The servant tragically misunderstood his instructions and, entering Qubad's encampment at night, murdered the prince as he slept.

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read The arts of the Mughal Empire The great age of Mughal art lasted from about 1580 to 1650 and spanned the reigns of three emperors: Akbar, Jahangir and Shah Jahan. Hindu and Muslim artists and craftsmen from the northern regions of the Indian subcontinent worked with Iranian masters in the masculine environment of the r...

Object details

Categories
Object type
TitleAn Ayyar murders Qubad in his sleep (generic title)
Materials and techniques
Gouache on prepared cotton backed with paper; Persian text on reverse written on paper backed with cotton; the four layers glued together
Brief description
An ayyar misunderstands Anoshirvan's order and murders Qubad in his sleep. Hamzanama. ca.1562-77.
Physical description
The murder of Qubad occupies the centre of the composition, and takes place beneath a canopy decorated with animals and trees on a gold ground at the top, and arabesques on a blue ground beneath. It is supported by slender red pillars which frame the figures of Qubad, who had been sleeping on his throne, and the murderer who slits Qubad's throat. His attendants sleep inside the tented enclosure, and outside it.
Dimensions
  • Painting height: 739mm (maximum)
  • Painting width: 570mm (maximum)
  • Image within innermost painted borders height: 699mm (maximum)
  • Image within innermost painted borders width: 502mm (maximum)
12/06/2013 dimensions measured as part of Indian Paintings Cataloguing Project 2013; object irregular in shape
Style
Marks and inscriptions
The numbers '972' and, beneath, '6'. (Arabic)
Gallery label
THE MURDER OF QUBAD Illustration to the Hamzanama, or Book of Hamza Gouache and gold on cotton, backed with paper Mughal c. 1562-77 IS.1508-1883 These two folios were discovered in 1881 in a Kashmiri curiosity shop, where they were being used to block up windows to keep out the cold. The imperial volumes to which they once belonged had 1400 illustrations. Fewer than 200 survive. The Persian text on the back of each provides only fragments of complicated stories. In this scene, a servant tragically misunderstands instructions to kill an enemy and instead murders Hamza’s sleeping son.(01/08/2017)
Object history
Illustration from the Hamzanama, or 'Book of Hamza', ca.1562-1577 commissioned by the Mughal emperor Akbar. Bought for the museum by Caspar Purdon Clarke in Srinagar in 1881.
Historical context
The production of the illustrated volumes of the epic Hamzanama ('Book of Hamza') was the first major undertaking of the new Mughal painting studio. Directed by two Iranian masters brought to India by the emperor Humayun, work began under his son Akbar and was said to have taken fifteen years to complete, drawing artists from all over northern Hindustan.

Here, an ayyar misunderstands the order of Anoshirvan, Hamza's father-in-law, and murders Hamza's son Qubad in his sleep.
Summary
The Hamzanama, or 'Book of Hamza' was commissioned by the great Mughal emperor Akbar in the mid-16th century. The epic story of a character based very loosely on the life of the uncle of the Prophet Muhammad chronicles the fantastic adventures of Hamza as he and his band of heroes fight against the enemies of Islam. The stories, from a long-established oral tradition, were written down in Persian, the language of the court, in multiple volumes. These originally had 1400 illustrations, of which fewer than 200 survive today. Work probably began in about 1562 and took 15 years to complete.
The only contemporary version of the text is that on the reverse of the few remaining paintings, making it difficult to reconstruct the stories.
This illustration depicts the murder of Hamza's second son, Qubad. Hamza's father-in-law, Anushirvan, had ordered one of his servants to kill a particular prince. The servant tragically misunderstood his instructions and, entering Qubad's encampment at night, murdered the prince as he slept.
Bibliographic references
  • C. Stanley Clarke. Indian Drawings. Twelve Mogul Paintings of the School of Humayun (16th century) illustrating the Romance of Amir Hamzah. Victoria and Albert Museum Portfolios, London, 1921. Detail illustrated in Daniel Walker, Flowers Underfoot. Indian Carpets of the Mughal Era, The Metropolitan Museum of Art, New York, 1997, fig. 35 p. 44.
  • Susan Stronge, Painting for the Mughal Emperor, V&A Publications, 2002, pl. 7, p. 22 and details pl. 8
  • Heinrich Gluck, Die indischen Miniaturen des Haemzae-Romanes im Osterreichischen Museum fur Kunst und Industrie in Wien und in anderen Sammlungen, Leipzig, Zurich and Vienna: Amalthea-Verlag, 1925, fig. 11
  • Seyller, John W. & Koch, Ebba, The Adventures of Hamza: Painting and Storytelling in Mughal India, Smithsonian Institution, 2002 pp.92-93
Collection
Accession number
IS.1508-1883

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Record createdJuly 19, 2002
Record URL
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