Raphael going to Gabael on behalf of Tobias and bringing away the money
Panel
ca. 1600 (made)
ca. 1600 (made)
| Artist/Maker | |
| Place of origin |
This panel shows a scene from the Old Testament story of Tobias and the Angel. Here the Archangel Raphael, in disguise, collects the money that belonged to Tobias’s father while Tobias is delayed at his wedding feast.
It illustrates one of the new techniques for decorating glass that were introduced in the mid 16th century. Glassmakers used paints known as 'enamels' to paint directly onto the glass, similar to painting onto a canvas. The colours were produced by adding metallic oxides to a ground glass (frit) mixture. The resulting wide colour range included the delicate pinks, yellows, greens, reds and purples shown here.
Christoph Murer (1558-1614) was a distinguished Swiss glass painter. He produced numerous designs for stained glass windows, including a series based on Tobias and the Angel that includes this panel.
It illustrates one of the new techniques for decorating glass that were introduced in the mid 16th century. Glassmakers used paints known as 'enamels' to paint directly onto the glass, similar to painting onto a canvas. The colours were produced by adding metallic oxides to a ground glass (frit) mixture. The resulting wide colour range included the delicate pinks, yellows, greens, reds and purples shown here.
Christoph Murer (1558-1614) was a distinguished Swiss glass painter. He produced numerous designs for stained glass windows, including a series based on Tobias and the Angel that includes this panel.
Object details
| Categories | |
| Object type | |
| Title | Raphael going to Gabael on behalf of Tobias and bringing away the money (generic title) |
| Materials and techniques | Stained glass |
| Brief description | Panel of clear and coloured glass painted with enamels and silver stain. Depicting an event from the Book of Tobit (Raphael obtains the money for Tobias). Swiss, painted by Lorenz Lingg, early 17th century |
| Physical description | Panel depicting Raphael going to Gabael on behalf of Tobias and bringing away the money. Above, an inscription. Below, a coat of arms. Restored with insertions from other panels. On the left of the lower inscription a piece of contemporary Dutch glass (a woman holding a brass pot) is inserted. |
| Dimensions |
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| Credit line | Purchased with funds from the Murray Bequest |
| Production | Designed by Murer but probably executed in South Germany, perhaps Ulm. |
| Subjects depicted | |
| Literary reference | <font -u>Book of Tobit</font> |
| Summary | This panel shows a scene from the Old Testament story of Tobias and the Angel. Here the Archangel Raphael, in disguise, collects the money that belonged to Tobias’s father while Tobias is delayed at his wedding feast. It illustrates one of the new techniques for decorating glass that were introduced in the mid 16th century. Glassmakers used paints known as 'enamels' to paint directly onto the glass, similar to painting onto a canvas. The colours were produced by adding metallic oxides to a ground glass (frit) mixture. The resulting wide colour range included the delicate pinks, yellows, greens, reds and purples shown here. Christoph Murer (1558-1614) was a distinguished Swiss glass painter. He produced numerous designs for stained glass windows, including a series based on Tobias and the Angel that includes this panel. |
| Collection | |
| Accession number | C.568-1921 |
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| Record created | July 16, 2002 |
| Record URL |
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