This is one of ten panels in the Museum's collection (C.560 to 569-1921) that depict events from the Old Testament story of Tobias and the Angel.

This panel depicts Tobit, Tobias’s father, providing a proper burial for a dead man, a fellow Jew. The Jewish community had been forbidden to bury their dead and Tobit was in breach of the law in doing this.

The panel illustrates one of the new techniques for decorating glass that were introduced in the mid 16th century. Glass painters used paints known as 'enamels' to paint directly onto the glass, similar to painting onto a canvas. The colours were produced by adding metallic oxides to a ground glass (frit) mixture. The resulting wide colour range included the delicate pinks, yellows, greens, reds and purples shown here.

The panels were painted by Lorenz Lingg, a pupil of the stained glass master Christoph Murer. Murer had created a series of drawings illustrating the Book of Tobit. Lingg made his own copies of these drawings and then produced this set of painted glass panels from them.

The inscription at the bottom of the panel refers to a man who was a member of a civic court. The date in the inscription most likely refers to the date of his membership. These ten panels were commissioned by a group of court officials, probably to commemorate a special event. It is known that Ling was working in Strasbourg and it is quite likely that these panels were originally displayed in a courtroom in Strasbourg itself or in the neighbouring Alsace region.