Entry into Jerusalem
Panel
ca. 1375 (made)
ca. 1375 (made)
Artist/Maker | |
Place of origin |
This stained-glass panel comes from a window that showed Christ’s Entry into Jerusalem. It shows the crowd waving palm branches, shouting ‘Hosanna’ and laying a garment on the ground for Christ to pass over. Originally, the panel came from the choir windows in Erfurt Cathedral in the eastern part of Germany.
The Entry into Jerusalem is seen as the beginning of the Christian Holy Week leading up to Easter. The day is known as ‘Palm Sunday’, in reference to the palms that the people waved as Christ rode through the gate of the city on a donkey.
The custom of commemorating the event with palms and processions does not appear in liturgical texts before about the 8th century. However, we do have a pilgrim’s account dating from the late 4th century that records the ceremonies celebrated in Jerusalem during Holy Week. It refers to a procession with palms that re-enacted Christ’s triumphal entry.
The Entry into Jerusalem is seen as the beginning of the Christian Holy Week leading up to Easter. The day is known as ‘Palm Sunday’, in reference to the palms that the people waved as Christ rode through the gate of the city on a donkey.
The custom of commemorating the event with palms and processions does not appear in liturgical texts before about the 8th century. However, we do have a pilgrim’s account dating from the late 4th century that records the ceremonies celebrated in Jerusalem during Holy Week. It refers to a procession with palms that re-enacted Christ’s triumphal entry.
Delve deeper
Discover more about this object
Object details
Categories | |
Object type | |
Title | Entry into Jerusalem (generic title) |
Materials and techniques | Clear and coloured glass with painted details |
Brief description | Stained glass panel depicting part of the Entry into Jerusalem. Originally from Erfurt Cathedral in eastern Germany, c.1375. |
Physical description | Panel of clear and coloured glass with painted details. The man on the left of the panel is wearing a short red tunic with a maroon hood (the hood down). He is wearing light coloured tights with built-in leather soles and stuffing at the tip to form long-pointed shoes. He is in the act of spreading a yellow garment with sleeves on the ground. To his right is another man, wearing a short maroon tunic with yellow tights with built-in shoes. Over this he wears a long blue gown with a hood covering his head. In his right hand he lifts up a yellow palm. Behind the figures is a diaper pattern of green scrolling foliage. |
Dimensions |
|
Gallery label |
|
Object history | Originally from a window dedicated to the Passion of Christ in the Cathedral of the Blessed Virgin Mary in Erfurt, eastern Germany. Part of a 'set' of 4 panels (the others being English panels) purchased from the art collector Grosvenor Thomas. |
Production | From the Cathedral of the Blessed Virgin Mary (Mariendom), Erfurt, Germany. |
Subjects depicted | |
Literary reference | New Testament |
Summary | This stained-glass panel comes from a window that showed Christ’s Entry into Jerusalem. It shows the crowd waving palm branches, shouting ‘Hosanna’ and laying a garment on the ground for Christ to pass over. Originally, the panel came from the choir windows in Erfurt Cathedral in the eastern part of Germany. The Entry into Jerusalem is seen as the beginning of the Christian Holy Week leading up to Easter. The day is known as ‘Palm Sunday’, in reference to the palms that the people waved as Christ rode through the gate of the city on a donkey. The custom of commemorating the event with palms and processions does not appear in liturgical texts before about the 8th century. However, we do have a pilgrim’s account dating from the late 4th century that records the ceremonies celebrated in Jerusalem during Holy Week. It refers to a procession with palms that re-enacted Christ’s triumphal entry. |
Bibliographic references |
|
Collection | |
Accession number | C.200-1912 |
About this object record
Explore the Collections contains over a million catalogue records, and over half a million images. It is a working database that includes information compiled over the life of the museum. Some of our records may contain offensive and discriminatory language, or reflect outdated ideas, practice and analysis. We are committed to addressing these issues, and to review and update our records accordingly.
You can write to us to suggest improvements to the record.
Suggest feedback
You can write to us to suggest improvements to the record.
Suggest feedback
Record created | July 15, 2002 |
Record URL |
Download as: JSONIIIF Manifest