The Children of Israel Stoning the Spies thumbnail 1
The Children of Israel Stoning the Spies thumbnail 2
Not currently on display at the V&A

The Children of Israel Stoning the Spies

Panel
1600-1699 (made)
Artist/Maker
Place of origin

This vivid depiction of the Israelites stoning two spies is based on an incident in the Old Testament. The two men were part of a group of 12 spies whom Moses had sent to ‘spy out’ Canaan, the Promised Land. All reported back that it was indeed a wonderful place, but only two recommended an invasion and the other spies suggested that they should be stoned.

The decorating technique used on this panel was first developed in the early part of the period 1300-1400. It consisted of painting a compound of silver on the back of the glass which, after firing in a kiln, turns yellow. Depending on the concentration of the silver compound, the resulting colour ranges from lemon-yellow to a burnt-orange. Many panels from the period 1300-1500 are decorated simply in yellow (silver) stain and highlighted with a brown/black pigment.

The technique remained popular well after the 16th century, as this panel shows.


Object details

Categories
Object type
Parts
This object consists of 2 parts.

  • Roundel
  • Fragment
TitleThe Children of Israel Stoning the Spies (generic title)
Materials and techniques
Stained glass
Brief description
Stained glass roundel depicting the Children of Israel stoning the spies, Flemish, 17th century.
Physical description
Roundel depicting the Children of Israel stoning the spies, in brown and red enamel and silver yellow stain.
Dimensions
  • Height: 58.5cm (Note: unframed composite panel)
  • Width: 41.5cm (Note: unframed composite panel)
Credit line
Bequeathed by Mathilda Mary Wesley
Subjects depicted
Literary reference<font -u>Numbers</font> Ch 13
Summary
This vivid depiction of the Israelites stoning two spies is based on an incident in the Old Testament. The two men were part of a group of 12 spies whom Moses had sent to ‘spy out’ Canaan, the Promised Land. All reported back that it was indeed a wonderful place, but only two recommended an invasion and the other spies suggested that they should be stoned.

The decorating technique used on this panel was first developed in the early part of the period 1300-1400. It consisted of painting a compound of silver on the back of the glass which, after firing in a kiln, turns yellow. Depending on the concentration of the silver compound, the resulting colour ranges from lemon-yellow to a burnt-orange. Many panels from the period 1300-1500 are decorated simply in yellow (silver) stain and highlighted with a brown/black pigment.

The technique remained popular well after the 16th century, as this panel shows.
Collection
Accession number
942-1907

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Record createdJuly 15, 2002
Record URL
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