Arms of the Counts of Virneburg thumbnail 1
Image of Gallery in South Kensington
On display at V&A South Kensington
Sacred Silver & Stained Glass, Room 84, The Whiteley Galleries

Arms of the Counts of Virneburg

Panel
ca. 1480-1500 (made)
Artist/Maker
Place of origin

Virneburg was an independent state lying north of Trier in the German lands, south of Aachen and to the west of Coblenz.

This coat of arms is supported by a humorous male figure. Human supporters on arms were popular in Germany, but did not become hereditary until about 1650. Individual family members could adopt different supporters for the family coat of arms. This makes it difficult to determine which member of the Virneburg family is represented here.


The arms are described as: ‘Or, seven conjoined lozenges gules’ (on a field of gold are displayed seven lozenges joined together, four in the top and three in the base).

Because of the shape of the panel, it is likely that it was placed in the upper small portions of a window. These are known as 'tracery lights'. There is another panel with these arms in the nearby church of Kapellen-Stolzenfel.


Object details

Categories
Object type
TitleArms of the Counts of Virneburg (generic title)
Materials and techniques
Clear and coloured glass with painted details
Brief description
Panel of clear and coloured glass with painted details displaying the arms of the Counts of Virneburg. Made in Germany, c.1480-1500.
Physical description
Panel of irregular form from a Tracery light. A grotesque turbaned figure with hands and feet clamped to a shield of arms.
Dimensions
  • Height: 46cm
  • Width: 42cm
Gallery label
ARMS OF THE COUNTS OF VIRNEBURG The origin of this unusual tracery light, with a grotesque figure holding a shield with the arms of the Counts of Virneburg, is not known. Their castle, now ruined, is close to Koblenz on the Middle Rhine. Germany (Middle Rhine), about 1480-1500 Museum no. 6916-1860; from the collection of Horace Walpole at Strawberry Hill((PW) 2003)
Historical context
Virneburg was an independent state lying north of Trier, south of Aachen and to the west of Coblenz.

This coat of arms is supported by a humourous male figure.
Human supporters on arms were popular in Germany but were not hereditary until the middle of the 17th century. Individual members of the family could adopt different supporters for the family coat of arms. This makes it difficult to determine precisely which member of the Virneburg family is represented here.

The arms are described as: Or, 7 conjoined lozenges gules (on a field of gold are displayed 7 lozenges joined together, four in the top and three in the base).

Because of the shape of the panel it is likely that it was place in the upper small portions of a window; these are known as 'tracery lights'. There is another panel with these arms in the nearby church of Kapellen-Stolzenfel
Production
From the Strawberry Hill Collection.
Subjects depicted
Summary
Virneburg was an independent state lying north of Trier in the German lands, south of Aachen and to the west of Coblenz.

This coat of arms is supported by a humorous male figure. Human supporters on arms were popular in Germany, but did not become hereditary until about 1650. Individual family members could adopt different supporters for the family coat of arms. This makes it difficult to determine which member of the Virneburg family is represented here.


The arms are described as: ‘Or, seven conjoined lozenges gules’ (on a field of gold are displayed seven lozenges joined together, four in the top and three in the base).

Because of the shape of the panel, it is likely that it was placed in the upper small portions of a window. These are known as 'tracery lights'. There is another panel with these arms in the nearby church of Kapellen-Stolzenfel.
Bibliographic reference
Williamson, Paul. Medieval and Renaissance Stained Glass in the Victoria and Albert Museum. London, 2003. ISBN 1851774041
Collection
Accession number
6916-1860

About this object record

Explore the Collections contains over a million catalogue records, and over half a million images. It is a working database that includes information compiled over the life of the museum. Some of our records may contain offensive and discriminatory language, or reflect outdated ideas, practice and analysis. We are committed to addressing these issues, and to review and update our records accordingly.

You can write to us to suggest improvements to the record.

Suggest feedback

Record createdJuly 12, 2002
Record URL
Download as: JSONIIIF Manifest