The Flagellation of Christ thumbnail 1
Image of Gallery in South Kensington
On display at V&A South Kensington
Sacred Silver & Stained Glass, Room 84, The Whiteley Galleries

The Flagellation of Christ

Panel
1450-1460 (made)
Artist/Maker
Place of origin

This panel, now lacking its lower half, once formed part of a narrative cycle dedicated to Christ's Passion and Resurrection. This was situated in the axial window of the choir of the church of Saint-Martin in Metz. Eight other panels from this series still survive at Saint-Martin. They all take their form from engravings by Master E.S., a printmaker from the Upper Rhine area.

The 'Passion' is the story of Christ's suffering and death, beginning with his arrest on Holy Thursday and ending with his burial ('entombment') on Good Friday. When Christ was brought before the Roman official in Jerusalem, Pontius Pilate, he was questioned and then condemned to death. He was tied to a post and whipped ('flagellated'). This was the usual practice under Roman law for those condemned to crucifixion.


Object details

Categories
Object type
TitleThe Flagellation of Christ (generic title)
Materials and techniques
Stained glass
Brief description
Stained glass panel depicting the Flagellation, from Metz in the Lorraine, about 1450-60.
Physical description
Panel with trilobed top depicting the Flagellation of Christ. The upper half of the subject shows architectural details, covered by a fantastic foliated canopy.
Dimensions
  • Height: 40in
  • Width: 31in
Taken from the Stained Glass Handlist
Gallery label
THE FLAGELLATION OF CHRIST This panel, now lacking its lower half, once formed part of a narrative cycle dedicated to Christ's Passion and Resurrection in the axial window of the choir of the church of Saint-Martin in Metz. Eight other panels from this series still survive at Saint-Martin, and all take their form from engravings by the Upper Rhenish Master E.S. France (Metz), about 1450-60 Museum no. 5467-1858((PW) 2003)
Object history
Said to have come from Cologne.
Historical context
This panel, now lacking its lower half, once formed part of a narrative cycle dedicated to Christ's Passion and Resurrection in the axial window of the choir of the church of Saint-Martin in Metz. Eight other panels from this series still survive at Saint-Martin, and all take their form from engravings by the Upper Rhenish Master E.S.

The 'Passion' of Christ is the story of his suffering and then death which began with his arrest on Thursday evening and ends with his burial ('entombment') on Friday evening. When Christ was brought before the Roman governor in Jerusalem, Pontius Pilate, he was questioned and then condemned. Christ was then tied to a post and whipped ('flagellated'). This was the normal practice under Roman law for those condemned to crucifixion.
Production
Originally from St Martin's in Metz.
Subjects depicted
Summary
This panel, now lacking its lower half, once formed part of a narrative cycle dedicated to Christ's Passion and Resurrection. This was situated in the axial window of the choir of the church of Saint-Martin in Metz. Eight other panels from this series still survive at Saint-Martin. They all take their form from engravings by Master E.S., a printmaker from the Upper Rhine area.

The 'Passion' is the story of Christ's suffering and death, beginning with his arrest on Holy Thursday and ending with his burial ('entombment') on Good Friday. When Christ was brought before the Roman official in Jerusalem, Pontius Pilate, he was questioned and then condemned to death. He was tied to a post and whipped ('flagellated'). This was the usual practice under Roman law for those condemned to crucifixion.
Bibliographic reference
Williamson, Paul. Medieval and Renaissance Stained Glass in the Victoria and Albert Museum. London, 2003. ISBN 1851774041
Collection
Accession number
5467-1858

About this object record

Explore the Collections contains over a million catalogue records, and over half a million images. It is a working database that includes information compiled over the life of the museum. Some of our records may contain offensive and discriminatory language, or reflect outdated ideas, practice and analysis. We are committed to addressing these issues, and to review and update our records accordingly.

You can write to us to suggest improvements to the record.

Suggest feedback

Record createdJuly 12, 2002
Record URL
Download as: JSONIIIF Manifest