Image of Gallery in South Kensington
Request to view at the Prints & Drawings Study Room, level D , Case EO, Shelf 144

Proper Ornaments to be Engrav'd on Plate

Metalwork Design
ca. 1694
Artist/Maker
Place of origin

This image, probably intended as a design for a soup bowl or tureen, is decorated with acanthus leaves and putti. This scheme appears frequently in Charels de Moelder’s work of the 1690s, and, with its Classical associations, would have provided an attractive design for the late-seventeenth century patrons wishing to purchase fine silverwork for their homes.

De Moelder’s designs would have been available for goldsmiths to purchase, and they would probably have used them as stock images or as inspiration. From these images, luxury items for the table or the toilette could have been made in bulk or customised for wealthy patrons by mixing various elements of de Moelder’s prints. This image is only one part of a larger plate possibly cut down by a later collector to enjoy more for its inventive quality rather than its functional use as a pattern.


Object details

Categories
Object type
TitleProper Ornaments to be Engrav'd on Plate (series title)
Materials and techniques
engraving
Brief description
Charles de Moelder (after). Design for a bowl-cover. Partial plate from a suite of twelve showing designs for silver engraving. British, 1694.
Physical description
Circular design for one element of design for a bowl, probably the lid. Design includes acanthus leaves, puttis and a foliate mask.
Dimensions
  • Circumference: 43.35cm (cut to )
Object history
This print is one part of the original plate, which can be seen in its whole version in V&A inventory number E. 386-1926.
Subjects depicted
Summary
This image, probably intended as a design for a soup bowl or tureen, is decorated with acanthus leaves and putti. This scheme appears frequently in Charels de Moelder’s work of the 1690s, and, with its Classical associations, would have provided an attractive design for the late-seventeenth century patrons wishing to purchase fine silverwork for their homes.

De Moelder’s designs would have been available for goldsmiths to purchase, and they would probably have used them as stock images or as inspiration. From these images, luxury items for the table or the toilette could have been made in bulk or customised for wealthy patrons by mixing various elements of de Moelder’s prints. This image is only one part of a larger plate possibly cut down by a later collector to enjoy more for its inventive quality rather than its functional use as a pattern.
Bibliographic references
  • Fuhring, Peter, and Jennifer Kilian. Ornament prints in the Rijksmuseum II, Pt. 1. The, seventeenth century / Peter Fuhring. Ornament Prints in the Rijksmuseum. Amsterdam: Rijksmuseum, 2004.
  • Wees, Beth Carver. English, Irish, & Scottish silver at the Sterling and Francine Clark art institute. New York: Hudson Hills press, 1997.
  • Victoria and Albert Museum, Department of Engraving, Illustration and Design and Department of Paintings, Accessions 1926, London: Board of Education, 1927.
Collection
Accession number
15274

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Record createdJune 30, 2009
Record URL
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