Vase thumbnail 1
Image of Gallery in South Kensington
On display at V&A South Kensington
British Galleries, Room 123

Vase

1662-1722 (made)
Artist/Maker
Place of origin

Object Type
In China porcelain with designs painted in cobalt blue under the glaze first became popular during the 14th century. As on this gourd-shaped vase, motifs included figurative scenes from well-known novels and legends. The base of the vase bears the Qing dynasty reign mark of the Kangxi emperor (1662-1722). Porcelains of the Kangxi period are renowned for their clear colours and painterly decoration. Medium-sized jars and bowls were typically decorated with garden scenes depicting scholars, women and children at leisure.

Time
During the 14th century cobalt was imported into China from the Middle East, especially Iran. By the Qing dynasty (1644-1911), however, methods of processing local Chinese cobalt ores had been developed. Blue and white porcelain was exported in large quantities to the Middle East and to a lesser extent to the West.

Materials & Making
The Jingdezhen kilns in Jiangxi Province have produced most of China's porcelain for more than a thousand years. Much of the production has been of blue and white wares. The cobalt blue pigment was painted directly onto the porcelain body, which was then covered with a clear glaze and fired to a temperature of between 1280 and 1350 degrees Celcius.

Delve deeper

Discover more about this object
read Chinese blue-and-white ceramics Originally invented in China, blue-and-white ceramics were widely circulated, copied and re-created by makers worldwide, becoming one of the most well-known and enduring products in the history of Chinese porcelain.

Object details

Categories
Object type
Materials and techniques
Porcelain, decorated in underglaze cobalt blue
Brief description
Cer, China, Qing, blue and white
Physical description
Double-gourd shaped vase decorated in underglaze blue with ladies and small boys in a garden
Dimensions
  • Height: 26.8cm
  • Width: 13.0cm
  • Base diameter: 6.4cm
Dimensions checked: Measured; 17/06/1999 by LH
Style
Production typeMass produced
Marks and inscriptions
Mark of a leaf in underglaze blue on the base
Gallery label
British Galleries: CHINESE BLUE AND WHITE PORCELAIN
1662-1722 Kangxi reign period Many collectors admired Chinese blue and white porcelain. These pieces were owned by the artists James McNeill Whistler and Dante Gabriel Rossetti, who began collecting in the 1860s. The most important dealer selling such porcelain was Murray Marks (1840-1918) whose business card showed a painting by Whistler of a blue and white jar.(27/03/2003)
Object history
Bequeathed by Mr. George Salting, accessioned in 1910. This acquisition information reflects that found in the Asia Department registers, as part of a 2022 provenance research project.
Although this porcelain vase came into the Museum through the George Salting Bequest in 191, it was formerly in the collection of Dante Gabriel Rossetti.
Made at the Jingdezhen kilns in Jiangxi Province, China
Production
Kangxi Period
Summary
Object Type
In China porcelain with designs painted in cobalt blue under the glaze first became popular during the 14th century. As on this gourd-shaped vase, motifs included figurative scenes from well-known novels and legends. The base of the vase bears the Qing dynasty reign mark of the Kangxi emperor (1662-1722). Porcelains of the Kangxi period are renowned for their clear colours and painterly decoration. Medium-sized jars and bowls were typically decorated with garden scenes depicting scholars, women and children at leisure.

Time
During the 14th century cobalt was imported into China from the Middle East, especially Iran. By the Qing dynasty (1644-1911), however, methods of processing local Chinese cobalt ores had been developed. Blue and white porcelain was exported in large quantities to the Middle East and to a lesser extent to the West.

Materials & Making
The Jingdezhen kilns in Jiangxi Province have produced most of China's porcelain for more than a thousand years. Much of the production has been of blue and white wares. The cobalt blue pigment was painted directly onto the porcelain body, which was then covered with a clear glaze and fired to a temperature of between 1280 and 1350 degrees Celcius.
Collection
Accession number
C.935-1910

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Record createdMay 24, 2002
Record URL
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