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Set design

  • Place of origin:

    Great Britain (made)

  • Date:

    1981 (made)

  • Artist/Maker:

    Hodgkin, Howard Sir, born 1932 - died 2017 (theatre designers)

  • Materials and Techniques:

    Water based paint, collage and plastic tape on card

  • Credit Line:

    Given by Sir Howard Hodgkin

  • Museum number:

    S.1142-1984

  • Gallery location:

    Theatre & Performance, Room 104, case WE, shelf EXP

Physical description

Set design for Night Music

Place of Origin

Great Britain (made)

Date

1981 (made)

Artist/maker

Hodgkin, Howard Sir, born 1932 - died 2017 (theatre designers)

Materials and Techniques

Water based paint, collage and plastic tape on card

Dimensions

Height: 319 mm, Width: 460 mm

Object history note

This design by Howard Hodgkin was donated to the Theatre Museum by the artist in 1984. It was executed for a production of the ballet "Night Music" performed by Ballet Rambert at the Newcastle Theatre Royal, October 9th 1981. The choreography was by Richard Alston using a selection of music by Wolfgang Amadeus Mozart, and the lighting was by Peter Mumford. The cast included Lucy Burge, Jkky Maas, and Frances Carty. The ballet had been specially commissioned by the Newcastle Upon Tyne City Council for the Newcastle Festival '81. The production later toured the country, and was performed at Sadler's Wells in March 1982.

The critic Alastair Macaulay* wrote of the set design in his review of the ballet... "Night Music is a collaboration with the artist Howard Hodgkin whose work here and elsewhere is related to the Abstract Expressionism of the American painters Barrett Newman, Mark Rothko and Jackson Pollock. (Curiously, Hodgkin's present style was first revealed in a painting in '59 called "Dancing".) There's a roseate, ordered, abstract drop curtain for the opening and closing scenes: the stage wings are angled, of reflective silver foil: more intricate is the backcloth for the central section. Though I wasn't completely happy with the latter's colouring, the whole does work as a theatre set. It has an imagination of architecture that gives a real frame to one's view of the dances. And of how many non-figurative designs since those of Sophie Fedorovitch can that be said? "

* "Ballet Rambert" by Alastair Macaulay published in
"The Dancing Times", December 1981, Volume LXXII Number 855, Page 174

Descriptive line

Set design by Howard Hodgkin for "Night Music", Ballet Rambert, Newcastle Theatre Royal, October 9th 1981.

Bibliographic References (Citation, Note/Abstract, NAL no)

"Howard Hodgkin Stage Designs" (Exhibition catalogue), Text by John-Paul Stonard. Published by Anthony d'Offay, London, 2002. ISBN 0-947564-87-X

Labels and date

1
DESIGN FOR THE BACKCLOTH FOR NIGHT MUSIC
1981

Hodgkin was one of several British artists invited to design sets and costumes for the leading ballet companies during the 1980s. Using Mozart’s Nocturni and Divertimenti, jointly selected by the choreographer and the designer, the production distilled the atmosphere of an informal gathering of friends in a garden at night.

Ballet by Richard Alston to music by
Wolfgang Amadeus Mozart, 1981
Theatre Royal, Newcastle, and on tour

Water-based paint, collage and plastic tape on card
Designed by Howard Hodgkin (born 1932)
Given by the artist
Museum no. S.1142-1984 [October 2013]

Production Note

Reason For Production: Commission

Materials

Tape; Card; Paint

Techniques

Painting (coating); Collage

Subjects depicted

Theatre, Set design; Ballet

Categories

Entertainment & Leisure; Theatre; Designs

Production Type

Unique

Collection

Theatre and Performance Collection

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