Designed by Joseph Nash, this is a set of views published with accompanying text as Dickinson’s Comprehensive Pictures of the Great Exhibition, exploiting the newly available technique of colour lithography. Nash was one of the more prolific artists working with this medium, whereby a picture is made by printing from a flat surface (traditionally stone, now often a metal plate), on which the artist draws or paints the original design with a greasy substance. The surface is then prepared, moistened and inked; the greasy printing ink adheres to the design, which is then printed onto a sheet of paper.

This view of the Dutch exhibits shows works of art and manufacture. The aim was to impress the visitor by the quality and range of produce.