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Panel - Tobias and Sara on their Wedding Night

Tobias and Sara on their Wedding Night

  • Object:


  • Place of origin:

    Germany (probably, made)
    Lower Rhine (made)

  • Date:

    ca. 1520 (made)

  • Artist/Maker:


  • Materials and Techniques:

    Clear and coloured glass with painted details and silver stain.

  • Credit Line:

    Given by E.E. Cook Esquire.

  • Museum number:


  • Gallery location:

    Temporary Exhibition, room 38, case 1. Illuminations

The Book of Tobias recounts the story of the pious aged Tobit and how his son, Tobias, with the aid of the archangel Raphael, was able to restore his father's health and wealth. The archangel Raphael, in disguise, leads Tobias to the lands of his kinsman Raguel. Raguel gives his daughter Sara in marriage to Tobias but warns him that Sara's seven previous husbands had all been devoured by demons on the wedding night.

With Raphael's aid, Tobias prepares a potion, the smell of which drives the demons out. He and Sara are able then to successfully consummate their marriage.

The dog sleeping on their bed belonged to Tobias and accompanied him and Raphael on their journey. In this context he may also symbolise marital love and fidelity.

Physical description

Stained glass panel depicting Tobias and Sara in bed. Tobias and Sara are executed in clear glass with painted details in brown pigment. They lie sleeping, with night caps on, in their bed which is covered with a deep blue brocaded bed spread. Behind them is a red curtain. On their bed is a small dog asleep. A table with a candlestick and candle is in the front left of the panel and a single pair of heeless shoes lie on the floor to the right. The whole scene is framed in renaissance-style spiral columns and a round arch. These and the flooring, alternating yellow and black squares (the latter with white saltire crosses) are executed in silver stain and brown pigment on clear glass.

Place of Origin

Germany (probably, made)
Lower Rhine (made)


ca. 1520 (made)



Materials and Techniques

Clear and coloured glass with painted details and silver stain.


Height: 729 mm framed, Width: 795 mm framed, Depth: 32 mm framed

Object history note

The size of the panel suggests that it originally belonged to a narrative programme in a cloister, perhaps typological, and it probably came from one of the numerous cloisters in Cologne secularised in 1802. The Renaissance decoration of the architectural surround, especially the putti heads in the spandrels, can be matched exactly in glass in Cologne Cathedral, possibly originally from the cloister of the Cistercian abbey of St Apern in Cologne.

Historical context note

The Book of Tobias (or Tobit) is considered by the Catholic Church to be a canonical book of the Old Testament; its historicity was confirmed at the Council of Trent in 1546. The reformers in the emerging Protestant churches in the first half of the 16th century considered it to be non-historical and thus non-authoritative. It was removed from the official new Bibles and labelled as 'Apocryphal'.

Descriptive line

Stained glass panel depicting Tobias and Sara on their Wedding Night. Probably from a cloister in Cologne, Germany, ca.1520

Bibliographic References (Citation, Note/Abstract, NAL no)

Book of Tobias (or Tobit) 8:13
Bernard Rackham, 'The Ashridge stained glass', Old Furniture, vol.5 (1928), pp.33-7
H. Rode, Die mittelalterliche Glasmalerein des Kolner Domes, CVMA Germany, vol.4/I (Berlin, 1974)
Foister, Susan, Art of Light: German Renaissance Stained Glass(London: National Gallery Company, 2007), 32 p., ill., ISBN 978 185709 348 3.

Production Note

Perhaps from the cloister of St Apern, Cologne




Pot metal; Silver staining; Painting

Subjects depicted

Shoes (footwear); Dog (animal); Beds (furniture); Columns; Candles


Stained Glass


Ceramics Collection

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