Object Type
This is one of a set of 11 Chinoiserie panels (Museum nos. P.6 to 16-1954) that was acquired by the Museum in 1954. It is not known which house they were originally intended for, but they relate closely to a set of similar panels painted in 1696 for a house in Botolph Lane, London.
People
Very little is known about the painter and printmaker Robert Robinson and not much of his work survives, apart from the two sets of panels. The panels' dramatic quality may be attributable to Robinson's work as a scene painter for the theatre.
Subjects Depicted
Throughout the 17th century goods from East Asia were highly fashionable. However, these painted panels are one of the earliest manifestations of Chinoiserie. The term denotes purely decorative fantasies produced by European artists and based roughly on East Asian themes, as opposed to imitation of true Chinese forms in such techniques as lacquer work. In these panels all manner of whimsical grotesques are mingled with reminiscences of Chinese, Tartar, and Indian themes.
Physical description
Oil painted panel with Chinoiserie decoration, [one of a set of 11] showing a fantastic scene of a team of men hauling a dragon boat along a rocky gorge, and two fishermen in a boat using a small net, and two men in a canoe. Overhead, a fantastic bird in the sky.
Date
ca. 1696 (made)
Artist/maker
Robert Robinson (artist)
Materials and Techniques
oil and tempera on panel
Dimensions
Height: 85 in estimate, Width: 31.25 in estimate, Height: 221 cm framed, Width: 91 cm framed, Depth: 6 cm framed
Object history note
Given by the National Art Collections Fund, 1954
Historical context note
It is not known which house this set of panels was originally intended for, but they relate closely to a set of similar panels, which were painted in 1696 for a house at 5 Botolph Lane, in the City of London and removed to Sir John Cass's Foundation Primary School, Aldgate, London, in 1906. Very little is known about the painter Robert Robinson and not much of his work survives, apart from these two sets of panels. Robinson's work anticipates the mania for Chinoiserie in England by 30 years or more. The Botolph Lane panels are a mixture of Chinese and Peruvian scenes, whereas the set now in the Museum is mainly Chinese in inspiration. Throughout the 17th century goods from the Far East were highly fashionable. However, these painted panels are one of the earliest manifestations of chinoiserie, i.e. purely decorative fantasies by European artists, based roughly upon Far Eastern themes, as opposed to imitation of true Chinese forms such as lacquer work. In the V&A panels all kinds of whimsical grotesques are mingled with reminiscences of Chinese, Tartar, and Indian themes.
Descriptive line
Oil painted panel with Chinoiserie decoration, [one of a set of 11] showing a fantastic scene of a team of men hauling a dragon boat along a rocky gorge, and fishermen in a boat, by Robert Robinson, about 1696
Bibliographic References (Citation, Note/Abstract, NAL no)
E. Croft-Murray: Decorative Painting in England, 1537-1837, i (London, 1962), pp. 46-7 E. Croft-Murray: An English Painter of Chinoiseries (Country Life Annual, 1955) pp174-179
Musée Cernuschi, Pagodas et Dragons. Exotisme et fantaisie dans L'Europe rococo 1720-1770 Paris: Paris musées, 2007. ISBN 978-2-87900-993-3.
Exhibition catalogue.
David Beevers, ed. Chinese Whispers. Chinoiserie in Britain 1650-1930 Brighton: The Royal Pavilion & Museums, Brighton and Hove, 2008. ISBN: 978-0-948723-71-1
Exhibition catalogue
Victoria and Albert Museum Department of Prints and Drawings and Department of Paintings Accessions 1954 London: HMSO, 1963
The full text of the entry is as follows:
"ROBINSON, Robert (died 1706)
Eleven decorative panels painted with Chinoiseries.
Oil on panel. Various sizes P.6-16-1954
Note: These panels were Lot 131 at Christie's, 30 April 1954 (anonymous sale). See 'An English Painter of Chinoiseries' by Edward Croft-Murray, in Country Life Annual, 1955 (pp.174-9), where seven of them are reproduced. The original provenance is not known, but some indication of the identity of the person for whom they were executed may be had from the fact that shields of arms and banners of the families of Nourse of Woodeaton, Oxfordshire, and of Skelton of Cumberland, occur in two of the panels. See also Croft-Murray, Decorative Painting in England, vol.1, 1962, pp.224-5, No.6."
Exhibition History
Chinese Whispers: Chinoiserie in Britain 1650-1930 (Brighton Museum and Art Gallery 03/05/2008-02/11/2008)
Pagodas et Dragons. Exotisme et fantaisie dans L'Europe rococo 1720-1770 (Musée Cernuschi 24/02/2007-17/06/2007)
Materials
Panel; Tempera; Oil
Techniques
Painting
Subjects depicted
Fishermen (people)
Categories
Paintings
Production Type
Unique
Collection code
PDP
