Theatre Costume
1973 (Made)
Artist/Maker |
Sleeveless dress with v neck and back in grey chiffon over white cotton, the bodice overlaid with black twill, shaped to points on the lower shoulders and extended to meet between the legs; the hip to thigh section is of white cotton covered with full pleated grey chiffon, the lower edge of each wide leg bound in black twill; to the back of each leg is a triple layer of grey chiffon frills. The dress is lined with white cotton and fastens down the back with a zip fastener.
Object details
Categories | |
Object type | |
Materials and techniques | Cotton twill and synthetic chiffon |
Brief description | Costume for Anna-Anna (Anger) worn by Lesley Collier in Kenneth MacMillan's ballet Seven Deadly Sins, designed by Ian Spurling, The Royal Ballet, 1973 |
Physical description | Sleeveless dress with v neck and back in grey chiffon over white cotton, the bodice overlaid with black twill, shaped to points on the lower shoulders and extended to meet between the legs; the hip to thigh section is of white cotton covered with full pleated grey chiffon, the lower edge of each wide leg bound in black twill; to the back of each leg is a triple layer of grey chiffon frills. The dress is lined with white cotton and fastens down the back with a zip fastener. |
Dimensions |
|
Marks and inscriptions |
|
Credit line | Given by Lesley Collier |
Object history | The costume was designed by Ian Spurling for Anna-Anna in the Anger sequence in Kenneth MacMillan's ballet "Seven Deadly Sins", produced by The Royal Ballet at the Royal Opera House, Covent Garden, in July 1973. The costume was worn by Lesley Collier in the 1973/4 revival. Because of the number of quick changes the costumes were numbered on the labels to indicate the order in which they were worn. "Seven Deadly Sins" was a revised version of the work originally made for Western Theatre Ballet in 1961. Ian Spurling's highly idiosyncratic designs were a feature of both versions, prefiguring the later revival of interest in Art Deco. His decorative, witty costumes, executed in bright colours including such then unfashionable shades as lime green and vermilion, were an acclaimed feature of the production. They are decorative, imaginative and characteristic of their time in making and fabrics. The museum also owns designs for the 1961 version of the ballet. |
Collection | |
Accession number | S.676-2001 |
About this object record
Explore the Collections contains over a million catalogue records, and over half a million images. It is a working database that includes information compiled over the life of the museum. Some of our records may contain offensive and discriminatory language, or reflect outdated ideas, practice and analysis. We are committed to addressing these issues, and to review and update our records accordingly.
You can write to us to suggest improvements to the record.
Suggest feedback
You can write to us to suggest improvements to the record.
Suggest feedback
Record created | January 17, 2002 |
Record URL |
Download as: JSON