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Rat dEgypte apellé en Arabe Gérbouh

Watercolour
1775-1796 (painted)
Artist/Maker
Place of origin

Jerboas, rodents quipped with powerful hind legs and very long tails for balance, are capable of leaping large distances to escape predators. They are nocturnal desert dwellers, common in Egypt, thriving in arid conditions and feeding on plant material. Here, this animal, possibly a portrait of a pet, [they are said to be shy but easily tamed] is shown eating a date, holding the fruit in its tiny front paws. The name jerboa is said to derive from Arabic words meaning `meaty thighs’, and for a mouse-like creature, they are certainly big. Their burrows are deep and include a sleeping chamber with a nest made of camel's hair or shredded vegetation.

Jean-Baptiste Adanson was a diplomat, antiquarian and draughtsman, and brother of the naturalist Michel Adanson. Jean-Baptiste was the official French interpreter at various cities in Egypt and Syria, and became French consul in Egypt from 1775 until 1785. He compiled a large collection of his drawings of natural history, antiquities and views, yet a proposal in 1795 by a Committee of the Convention Nationale in Paris to publish his material was never realised. In some ways he anticipated Napoleon’s project of recording modern and ancient Egypt, which was finally published under the title of Description de L’Egypte in the early years of the nineteenth century.


Object details

Categories
Object type
Titles
  • Rat dEgypte apellé en Arabe Gérbouh (assigned by artist)
  • Jerboa or Desert Rat (popular title)
Materials and techniques
Pencil and watercolour
Brief description
Watercolour, a drawing of a jerboa or desert rat, eating a date, entitled `Rat d'Egypte apellé en Arabe Gérbouh, by Jean-Baptiste Adanson, 1775-1796.
Physical description
Watercolour drawing of a jerboa or desert rat, eating a date.
Dimensions
  • Height: 29.5cm
  • Width: 46.5cm
Styles
Production typeUnique
Marks and inscriptions
Rat d'Egypte apellé en Arabe Gérbouh (picture title; French and Arabic; Front, lower margin; Adanson)
Translation
Egyptian rat called in Arabic "Jerbou'' [i.e.Jerboa]
Credit line
Purchased with the assistance of the National Heritage Memorial Fund, Art Fund, Shell International and the Friends of the V&A
Object history
Bought by Hughes Hallett at Christie's, 16.7.63, Lot 39.
Bought at Sotheby's 27/4/66, Lot 24, by Rodney Searight for £314.

Historical significance: This is a relatively early and accurate natural history illustration of the Lesser Egyptian Jerboa, (Jaculus jaculus). The word Jerboa is from the Arabic `Jerbou' which is alleged to mean `meaty thigh.'
Historical context
During his career Adanson filled notebooks and portfolios with drawings of natural history, antiquities and views. A proposal in 1795 by a Committee of the Convention Nationale in Paris to publish his material was never realised. Comparable works are now in Bibliothèque Nationale, Paris; Pierpont Morgan Library, New York.
Subjects depicted
Place depicted
Summary
Jerboas, rodents quipped with powerful hind legs and very long tails for balance, are capable of leaping large distances to escape predators. They are nocturnal desert dwellers, common in Egypt, thriving in arid conditions and feeding on plant material. Here, this animal, possibly a portrait of a pet, [they are said to be shy but easily tamed] is shown eating a date, holding the fruit in its tiny front paws. The name jerboa is said to derive from Arabic words meaning `meaty thighs’, and for a mouse-like creature, they are certainly big. Their burrows are deep and include a sleeping chamber with a nest made of camel's hair or shredded vegetation.

Jean-Baptiste Adanson was a diplomat, antiquarian and draughtsman, and brother of the naturalist Michel Adanson. Jean-Baptiste was the official French interpreter at various cities in Egypt and Syria, and became French consul in Egypt from 1775 until 1785. He compiled a large collection of his drawings of natural history, antiquities and views, yet a proposal in 1795 by a Committee of the Convention Nationale in Paris to publish his material was never realised. In some ways he anticipated Napoleon’s project of recording modern and ancient Egypt, which was finally published under the title of Description de L’Egypte in the early years of the nineteenth century.
Bibliographic references
  • Searight, Rodney. The Middle East : watercolours and drawings by British and foreign artists and travellers, 1750-1900, from the collection of Rodney Searight, Esq. London, 1971
  • Briony Llewellyn The Orient Observed V&A, 1989 p. 140
  • Images of the Ottoman Empire, Charles Newton, 2007, p. 84
  • Searight, Rodney and Scarce, Jennifer M., A Middle Eastern journey : artists on their travels from the collection of Rodney Searight, Talbot Rice Art Centre, 1980
  • The Orient observed : images of the Middle East from the Searight Collection p.140
Collection
Accession number
SD.10

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Record createdJanuary 10, 2002
Record URL
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