Seated Buddha
Figure
3rd century-4th century (made)
3rd century-4th century (made)
Artist/Maker | |
Place of origin |
A large-scale image of the Buddha seated cross-legged in a yogic posture (padmasana), his hands resting in a meditation position. The Buddha is deep in meditation, a model yogi. He wears his monastic robe over both shoulders in a manner closely associated with the Gandharan school of Kushan Buddhist art, though it is also known as Mathura. The robes are treated with deep folds and pleats that animate the figure and are masterfully conceived. The robes covers all his body, revealing only his hands and one foot which projects from beneath the robe. The Buddha is seated on a cushioned throne support, with lion-claw legs and drawn drapery. Beneath the throne-seat is a scene in which the Buddha is shown, with uncut hair before his renunciation, attended by followers and others paying homage to him. This scene alludes to the earlier (and failed) paths that the Sakyamuni pursued before gaining an understanding of the true path and pursuing the Middle Way.
The Buddha’s head displays a fully developed skull protuberance (ushnisa), in which the top-knot flourish of hair seen in earlier images has been conventionalised into a formal supernatural auspicious mark (laksana). A large unadorned halo frames the Buddha’s head. This is an image of great majesty and quiet authority, a quintessential icon of the Buddha as the master of yoga.
The Buddha’s head displays a fully developed skull protuberance (ushnisa), in which the top-knot flourish of hair seen in earlier images has been conventionalised into a formal supernatural auspicious mark (laksana). A large unadorned halo frames the Buddha’s head. This is an image of great majesty and quiet authority, a quintessential icon of the Buddha as the master of yoga.
Object details
Categories | |
Object type | |
Title | Seated Buddha (generic title) |
Materials and techniques | Schist |
Brief description | Buddha seated in meditation, schist, Gandhara, Pakistan, 3rd-4th century |
Physical description | Grey schist figure of the Buddha seated crossed-legged. He is draped in flowing robes and has a nimbus. His hands are clasped in front of him. The base has carved figures, including a smaller seated Buddha. |
Dimensions |
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Style | |
Gallery label |
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Credit line | Bequeathed by Dr Edward May |
Object history | Bequest of Dr Edward May |
Summary | A large-scale image of the Buddha seated cross-legged in a yogic posture (padmasana), his hands resting in a meditation position. The Buddha is deep in meditation, a model yogi. He wears his monastic robe over both shoulders in a manner closely associated with the Gandharan school of Kushan Buddhist art, though it is also known as Mathura. The robes are treated with deep folds and pleats that animate the figure and are masterfully conceived. The robes covers all his body, revealing only his hands and one foot which projects from beneath the robe. The Buddha is seated on a cushioned throne support, with lion-claw legs and drawn drapery. Beneath the throne-seat is a scene in which the Buddha is shown, with uncut hair before his renunciation, attended by followers and others paying homage to him. This scene alludes to the earlier (and failed) paths that the Sakyamuni pursued before gaining an understanding of the true path and pursuing the Middle Way. The Buddha’s head displays a fully developed skull protuberance (ushnisa), in which the top-knot flourish of hair seen in earlier images has been conventionalised into a formal supernatural auspicious mark (laksana). A large unadorned halo frames the Buddha’s head. This is an image of great majesty and quiet authority, a quintessential icon of the Buddha as the master of yoga. |
Bibliographic references |
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Collection | |
Accession number | IS.108-2001 |
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Record created | December 18, 2001 |
Record URL |
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