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Monsieur

Print
1676-1698 (made)
Artist/Maker
Place of origin

Monsieur was the name/title traditionally given to the King’s eldest brother. This print by Henri Bonnart, an artist renowned for prints showing fashions, shows Philippe, Duc d’Orleans, the brother of Louis XIV. It is from a series of prints showing figures from the French Court.

Monsieur wears a heavily brocaded waistcoat, under a long coat, with tight stockings - typical of those worn formally and for court. His costume shows other marks of a fashionable courtier include the high peaked wig worn over his shoulders and front, a sword and a cane and heeled shoes with expensive buckles. Gentlemen wore heeled shoes, rather than boots, with lace or buckles. The court of Louis XIV is believed to have originated the wearing of red soled shoes, now a feature of shoes made by Laboutin.

The court of Louis XIV was extremely opulent and courtiers were expected to dress to reflect their position. The court of the Sun King was characterised by [excessive] protocol governing behavior, etiquette, precedence and dress – a policy used by Louis XIV to control and distract his court. He hoped his courtiers’ time and resources were spent on impressing him rather than plotting rebellion. A high-ranking courtier would need a large and expensive wardrobe because rules for clothing, as well as behaviour, were carefully stratified so that only those of higher rank could wear certain fabrics or styles.

An English commentator, the Rev John Andrews, noted in 1770 that French court dress is ‘a piece of state policy to prevent their employing their intellectual faculties’ . Such elaborate fashions were rare in England where high society was less centred around the court.



Object details

Categories
Object type
TitleMonsieur (assigned by artist)
Materials and techniques
Engraving
Brief description
Print depicting Monsieur, Philippes de France, Duc d'Orleans by Henri Bonnart II, 1676-1698
Physical description
Monsieur is shown standing by steps with a garden in the background. He is wearing a curled wig, cravat, a highly decorated frock coat, heeled shoes and a sword. He holds a undecorated cane.
Dimensions
  • Image height: 241mm
  • Image width: 182mm
  • Sheet height: 280mm
  • Sheet width: 189mm
Marks and inscriptions
  • HBonnart, ex au Coq. avec priuit
  • Monsieur / Philippes de France, Duc D'Orleans Frere unique de Louis le Grand; Veuf de Henriette Princesse/ d'Angleterre, dont il a eu la Reine d'Espagne, et Mad'e la Duchesse de Savoye; et Epoux / de Charlotte Princess Palatine, dont il a eu Mons'r le Duc de Chartres, et Mademoiselle.
    Translation
    Monsieur / Philippe of France, Duc D'Orleans. Only brother of Louis le Grand, Widow of Princess Henriette of England, [father to] the Queen of Spain and Madame the Duchess of Savoy, and Husband of Charlotte Princess Palatine, [father to] Monsieur the Duke of Chartres, and Mademoiselle.
Object history
One of 15 engraved portraits of the French Court of Louis XIV.
Subjects depicted
Summary
Monsieur was the name/title traditionally given to the King’s eldest brother. This print by Henri Bonnart, an artist renowned for prints showing fashions, shows Philippe, Duc d’Orleans, the brother of Louis XIV. It is from a series of prints showing figures from the French Court.

Monsieur wears a heavily brocaded waistcoat, under a long coat, with tight stockings - typical of those worn formally and for court. His costume shows other marks of a fashionable courtier include the high peaked wig worn over his shoulders and front, a sword and a cane and heeled shoes with expensive buckles. Gentlemen wore heeled shoes, rather than boots, with lace or buckles. The court of Louis XIV is believed to have originated the wearing of red soled shoes, now a feature of shoes made by Laboutin.

The court of Louis XIV was extremely opulent and courtiers were expected to dress to reflect their position. The court of the Sun King was characterised by [excessive] protocol governing behavior, etiquette, precedence and dress – a policy used by Louis XIV to control and distract his court. He hoped his courtiers’ time and resources were spent on impressing him rather than plotting rebellion. A high-ranking courtier would need a large and expensive wardrobe because rules for clothing, as well as behaviour, were carefully stratified so that only those of higher rank could wear certain fabrics or styles.

An English commentator, the Rev John Andrews, noted in 1770 that French court dress is ‘a piece of state policy to prevent their employing their intellectual faculties’ . Such elaborate fashions were rare in England where high society was less centred around the court.

Collection
Accession number
24703:9

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Record createdJune 30, 2009
Record URL
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