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Omnis Generis Instrumenta Bellica

Print
c. 1600
Artist/Maker
Place of origin

The trophy was one of the elements of the Classical tradition that designers of ornament in the sixteenth and seventeenth centuries strove to emulate. Originating in ancient Greece, the trophy was initially a collection of arms and armour belonging to a victorious army’s opposing force. After battle, these articles would be collected and piled up or pinned against the trunk of a tree as a warning for other enemy forces. In design, by the time Birckenhultz was creating his engravings around 1600, the trophy was a loose collection of related objects loosely grouped and displayed together, particularly weaponry, but also often musical instruments, fruit and vegetation. These designs therefore refer back to the Classical tradition as well as displaying elements of foreign cultures, whether real or imagined. One design even shows a turbanned head, in a collection of Eastern military objects.


Object details

Category
Object type
TitleOmnis Generis Instrumenta Bellica (series title)
Materials and techniques
engraving
Brief description
Paul Birckenhultz (after), One from a series of six plates showing designs for hanging wartime trophies. Frankfurt, c. 1600.
Physical description
Design for a pendant topped with a bearded head covered by a turban and comprised of various obejcts of weaponry including quivers and arrows, a bow, a shield and spears. The ornament is hung with three pearls and hung from a chain decorated with gems.
Dimensions
  • Height: 8.3 cm (cut to )
  • Width: 4.5cm (cut to)
oval cut out around the ornament
Subjects depicted
Summary
The trophy was one of the elements of the Classical tradition that designers of ornament in the sixteenth and seventeenth centuries strove to emulate. Originating in ancient Greece, the trophy was initially a collection of arms and armour belonging to a victorious army’s opposing force. After battle, these articles would be collected and piled up or pinned against the trunk of a tree as a warning for other enemy forces. In design, by the time Birckenhultz was creating his engravings around 1600, the trophy was a loose collection of related objects loosely grouped and displayed together, particularly weaponry, but also often musical instruments, fruit and vegetation. These designs therefore refer back to the Classical tradition as well as displaying elements of foreign cultures, whether real or imagined. One design even shows a turbanned head, in a collection of Eastern military objects.
Bibliographic references
  • Berlin Staatliche Museen, Katalog der Ornamentstich-Sammlung der Staatlichen Kunstbibliothek Berlin, Utrecht, 1986.
  • Guilmard, Désiré, Les Maitres Ornemanistes: Écoles Française, Italienne, Allemande et des Pays-Bas (Flamande et Hollandaise), Paris, E Pron et Cie, 1801.
  • Fuhring, Peter, and Jennifer Kilian. Ornament prints in the Rijksmuseum II, Pt. 1. The, seventeenth century / Peter Fuhring. Ornament Prints in the Rijksmuseum. Amsterdam: Rijksmuseum, 2004.
Collection
Accession number
26403

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Record createdJune 30, 2009
Record URL
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