Sculpture
Figure
16th century-17th century (made)
16th century-17th century (made)
| Artist/Maker | |
| Place of origin |
A magnificent image of Visnu as Rama with a bow, as hero of the Ramayana. The epithet ‘Rama the moon’ alludes to his handsome face and beauty, most in evidence in this gracious and beautiful image. Rama is the seventh divine appearance (avatara) of Visnu on earth, who appeared in order to rid the world of the demon-king Ravana; their epic battles are recounted in detail in the Ramayana. Rama is a highly popular deity because he is understood as a deified human, a prince of virtuous and noble character who lived on earth as a human, despite being understood as a divine appearance of Visnu.
Rama gently flexes as he leans of his long bow (kodanda) and with his raised hand gestures as if holding an arrow. He wears a cylindrical crown (kirita makuta), a skirt-cloth secured with a girdle featuring a large makara clasp, and other body adornments. The srivatsa symbol, denoting both the natural world over which Visnu presides, is visible on his upper right chest, and he wears a sacred cord. The figure is fixed to a circular lotus pedestal, the latter with small holes for fixing the image for processional use. Reportedly unearthed in the Zamindari at Ramnad (modern Ramanathapuram) south-east of Madurai. Traces of encrusted carbonate in the patina indicate an extended period of burial.
Rama gently flexes as he leans of his long bow (kodanda) and with his raised hand gestures as if holding an arrow. He wears a cylindrical crown (kirita makuta), a skirt-cloth secured with a girdle featuring a large makara clasp, and other body adornments. The srivatsa symbol, denoting both the natural world over which Visnu presides, is visible on his upper right chest, and he wears a sacred cord. The figure is fixed to a circular lotus pedestal, the latter with small holes for fixing the image for processional use. Reportedly unearthed in the Zamindari at Ramnad (modern Ramanathapuram) south-east of Madurai. Traces of encrusted carbonate in the patina indicate an extended period of burial.
Object details
| Category | |
| Object type | |
| Parts | This object consists of 2 parts.
|
| Title | Sculpture (generic title) |
| Materials and techniques | Cast in copper alloy by the cire perdue process |
| Brief description | A bronze image of Rama with his bow made for worship, copper alloy, Madurai, south India, 17th century |
| Physical description | A standing figure in thrice-bent or tribhanga pose. The left hand holds the end of the bow; the right is in the gesture of holding an arrow (missing). The figure wears a cylindrical coronet (kirita makuta), loincloth and girdle with a large makara clasp, and a sacred cord. Behind the head there is a heavy wheel-like siras cakra (disc for hanging garlands). Other details include a srivatsa symbol above the right breast, waistband, makara-kundala ear pendants, a garter with bell worn on the right leg, and padasaras on the feet. The figure is fixed to a circular lotus pedestal, the latter with small holes for fixing the image to a processional carrier. This rests on a detachable rectangular moulded base (pitha) with two rings on either side (currently detached). Traces of encrusted carbonate matter in the crevices indicate a period of earth-burial. |
| Dimensions |
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| Style | |
| Gallery label | RAMA WITH BOW
Copper alloy
Reportedly excavated in Ramnad Zamindari, Madura District, Tamilnadu
Vijayanagar period
15th-16th century
IM.71-1927(ca.1988-2007) |
| Object history | Bought in 1927 from Mr Imre Schwaiger of New Delhi, a dealer. |
| Production | Reported excavated in Ramnad, Madurai District, Tamil Nadu, South India, Late Vijayanagar style This is a bronze of fine quality, but its lateness is evident in chiselling and the treatment of such details as the knees. Attribution note: The metal, examined by spectrographic analysis, proved to be a brass containing lead as a major element; tin, nickle iron, and silicone were present in minor proportions ( above 0.2%); silver and aluminium in smaller traces. |
| Subjects depicted | |
| Summary | A magnificent image of Visnu as Rama with a bow, as hero of the Ramayana. The epithet ‘Rama the moon’ alludes to his handsome face and beauty, most in evidence in this gracious and beautiful image. Rama is the seventh divine appearance (avatara) of Visnu on earth, who appeared in order to rid the world of the demon-king Ravana; their epic battles are recounted in detail in the Ramayana. Rama is a highly popular deity because he is understood as a deified human, a prince of virtuous and noble character who lived on earth as a human, despite being understood as a divine appearance of Visnu. Rama gently flexes as he leans of his long bow (kodanda) and with his raised hand gestures as if holding an arrow. He wears a cylindrical crown (kirita makuta), a skirt-cloth secured with a girdle featuring a large makara clasp, and other body adornments. The srivatsa symbol, denoting both the natural world over which Visnu presides, is visible on his upper right chest, and he wears a sacred cord. The figure is fixed to a circular lotus pedestal, the latter with small holes for fixing the image for processional use. Reportedly unearthed in the Zamindari at Ramnad (modern Ramanathapuram) south-east of Madurai. Traces of encrusted carbonate in the patina indicate an extended period of burial. |
| Bibliographic references |
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| Collection | |
| Accession number | IM.71-1927 |
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| Record created | October 11, 2001 |
| Record URL |
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