Image of Gallery in South Kensington
On display at V&A South Kensington
South Asian Sculpture, Room 47b

Relief

6th century (made)
Artist/Maker
Place of origin

The motif on this sandstone relief is a ‘kirttimukha’ ('face of glory'). The grotesque, lion-like face has flaring eyes and prominent fangs. It is usually represented with tendrils and vapour or pearls issuing from its jawless mouth. The character shown here is presumably a nature-spirit (‘yaksha’), possibly a water-spirit judging from the turbulent foliage.

In architecture the ‘kirttimukha’ frequently appears above doorways and on capitals, usually as a protective presence. Relief panels like this one appear on the square-section capitals of Gupta columns and elsewhere in Gupta period (320-about 540 AD) temples. We do not know where this panel with half a grotesque face was originally placed. However, it does compare closely with a column in a ruined Hindu temple at Pipariya in Madhya Pradesh.

The ‘kirttimukha’ motif became prominent during the Gupta period in the 4th and 5th centuries AD. By the 6th century it had attained its standard form in India. No precise Indian model is known, though it does relate to some of the mythological faces of the Kushan period (1st century AD-320 AD), such as the ‘makara’. Its origins may relate to Hellenistic heads of gorgons. In Greek mythology, these were women with snakes for hair.


Object details

Categories
Object type
Materials and techniques
Sandstone
Brief description
Relief panel depicting a grotesque, sandstone, Madhya Pradesh, central India, 6th century
Physical description
Sandstone relief of a stylised grotesque face with tendrils
Dimensions
  • Height: 25.7cm
  • Width: 23.2cm
  • Thickness: 6cm
With mount: H 30cm
Style
Gallery label
14. Architectural Relief with a Nature Spirit and Vegetation 500–600 Sandstone Central India (Madhya Pradesh) Purchased with the assistance of Dr Henry Ginsburg Museum no. IS.29-1987(06/06/2011)
Credit line
Purchased with the assistance of Dr Henry Ginsburg
Object history
Bought from Spink & Son with the assistance of Dr. Henry Ginsburg.
Historical context
The kirttimukha ('face of glory') is a grotesque, lion-like face with flaring eyes and prominent fangs, usually represented with tendrils and vapour or pearls issuing from its jawless mouth. This motif becomes prominent during the Gupta period in the fourth and fifth centuries. No precise Indian prototype is known, though it does relate to some of the mythological faces, such as the makara, of the Kushan period; its origins may relate to Hellenistic heads of gorgons. By the sixth century the kirttimukha had attained its standard form in India, and appears regularly as a crowning ornament of sculptural relief panels and on bronze throne backs above the image of the deity. It is also used in representations of jewellery from an early period.

In architecture it frequently appears above doorways and on capitals, usually positioned as a protective presence. Relief panels of this type appear on the square section capitals of Gupta columns and elsewhere in Gupta period temples. The original placement of this panel with half a grotesque face is unknown, but it does compare closely with a column in a ruined Hindu temple at Pipariya in Madhya Pradesh. This character is presumably a nature-spirit (yaksha), possibly acquatic judging from the turbulant foliage.
Production
Madhya Pradesh, central India
Subject depicted
Summary
The motif on this sandstone relief is a ‘kirttimukha’ ('face of glory'). The grotesque, lion-like face has flaring eyes and prominent fangs. It is usually represented with tendrils and vapour or pearls issuing from its jawless mouth. The character shown here is presumably a nature-spirit (‘yaksha’), possibly a water-spirit judging from the turbulent foliage.

In architecture the ‘kirttimukha’ frequently appears above doorways and on capitals, usually as a protective presence. Relief panels like this one appear on the square-section capitals of Gupta columns and elsewhere in Gupta period (320-about 540 AD) temples. We do not know where this panel with half a grotesque face was originally placed. However, it does compare closely with a column in a ruined Hindu temple at Pipariya in Madhya Pradesh.

The ‘kirttimukha’ motif became prominent during the Gupta period in the 4th and 5th centuries AD. By the 6th century it had attained its standard form in India. No precise Indian model is known, though it does relate to some of the mythological faces of the Kushan period (1st century AD-320 AD), such as the ‘makara’. Its origins may relate to Hellenistic heads of gorgons. In Greek mythology, these were women with snakes for hair.
Bibliographic references
  • Bland, Michael, The Vision of Kings, Art and Experience in India, November 1995, Page 95
  • L'escultura en el temples indis : l'art de la devoció : exposició organitzada per la Fundació "La Caixa" i el Victoria & Albert Museum, Londres. [Barcelona: Obra social, Fundació "la Caixa", c2007 Number: 9788476649466 p.49, Cat.3
Collection
Accession number
IS.29-1987

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Record createdJuly 5, 2001
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