Settle
ca. 1900 (made)
Artist/Maker | |
Place of origin |
The Alsatian painter Carl (or Charles) Spindler began to produce marquetry pictures in 1893. He avoided the use of staining to achieve colour, or scorching the edges of pieces to give shading and suggest a three-dimensional effect. Instead he used different woods to create the details of his pictures and ornamental designs. He exploited not only the different colours of woods but also the variety of their grain. His furniture design was much influenced by the ideas of the more famous French designer Emile Gallé, who also worked in the Alsace region and believed in nature as a source of inspiration.
Alsace was on the borders of France and Germany and in 1900 was under German rule, though there was a strong local movement to reunite Alsace with France.
Spindler’s panelling and furniture for a music room, of which this settle formed part, won a German Grand Prix at the Paris International Exhibition in 1900, but was also awarded a French Silver Medal.
Alsace was on the borders of France and Germany and in 1900 was under German rule, though there was a strong local movement to reunite Alsace with France.
Spindler’s panelling and furniture for a music room, of which this settle formed part, won a German Grand Prix at the Paris International Exhibition in 1900, but was also awarded a French Silver Medal.
Object details
Category | |
Object type | |
Materials and techniques | Walnut, carved and decorated with marquetry of pearwood, tulipwood, maple, amboyna, purpleheart, sycamore and kingwood, on a carcase of poplar strengthened by a plain veneer of oak across the back. The seat and back panels are upholstered in grey-green wool (not original) |
Brief description | Settle of walnut, with panels of marquetry in other woods, with a tester panel supported on uprights; the seat and panels on the back upholstered in green cloth |
Physical description | A settle of walnut, with an upholstered seat, the back with alternate ogee-shaped panels of marquetry and of upholstery, the marquetry panels of the back, and on the sides of the settle, with flower and foliage designs. The side panels of the settle support turned and carved uprights that support a shallow tester to the settle. |
Dimensions |
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Style | |
Gallery label | WALL OF MUSIC ROOM
Designer and manufacturer: Charles Spindler (1865-1938)
Cabinet maker: J. J. Graff, Guebwiller
Alsace (Saint-Léonard): about 1900
Poplar, oak and walnut with marquetry of various woods, upholstered in green cloth
2004 to 2007-1900
The painter Spindler began to produce marquetry pictures in 1893. His marquetry style was influenced by the Swiss painter Arnold Böcklin (1827-1901), while his furniture is indebted to advanced German designers such as Bruno Paul (1874-1968) and Joseph Olbrich (1867-1908). Against these must be set the influence of Emile Gallé (1846-1904) and other Nancy designers. His music room was awarded a German Grand Prix and a French silver medal when shown at the Paris 1900 Exhibition.
Given by Sir George Donaldson(pre 1990) |
Credit line | Given by Sir George Donaldson |
Object history | Exhibited at the Paris International Exhibition, 1900 |
Subjects depicted | |
Summary | The Alsatian painter Carl (or Charles) Spindler began to produce marquetry pictures in 1893. He avoided the use of staining to achieve colour, or scorching the edges of pieces to give shading and suggest a three-dimensional effect. Instead he used different woods to create the details of his pictures and ornamental designs. He exploited not only the different colours of woods but also the variety of their grain. His furniture design was much influenced by the ideas of the more famous French designer Emile Gallé, who also worked in the Alsace region and believed in nature as a source of inspiration. Alsace was on the borders of France and Germany and in 1900 was under German rule, though there was a strong local movement to reunite Alsace with France. Spindler’s panelling and furniture for a music room, of which this settle formed part, won a German Grand Prix at the Paris International Exhibition in 1900, but was also awarded a French Silver Medal. |
Bibliographic references |
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Collection | |
Accession number | 2004-1900 |
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Record created | June 26, 2001 |
Record URL |
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