Gyanbazi
Game
late 19th century or 20th century (made)
late 19th century or 20th century (made)
Artist/Maker | |
Place of origin |
An early version of the familiar snakes- and- ladders board game, the quasi-religious game of gyan (jnana)- choupad or gyanbazi (game of knowledge) was popular with the Rajasthani courts in the eighteenth and nineteenth centuries, especially with the ladies. Played universally in India, it is available in Hindu, Muslim and Jain versions. As a pastime the game became popular among Jain nuns and was regarded as an edifying religious pursuit. Subsequently it lost its seriousness and became a purely recreational activity.
The present pata is a fine example of a Jain version. The checkered board, representing the progress of ones's life, is divided into eighty-four numbered squares, each with words pointing out the rules of conduct and the good and bad effects thereof. The game is played by throwing dice. The ladders denote good behaviour and virtues that elevate the player to a higher level. The snakes denote downfall: the player descends to the tail after landing on the head.
The four-tiered pavilion at the top represents the heavens. Its summit, occupied by a crescent shaped siddhasaila flanked by peacocks, is where the liberated beings live. A good Jain should strive hard to reach this goal by avoiding misconduct and attaining knowledge. The pavilion is flanked by the sun god astride a seven-headed horse and the moon god riding an antelope.
The present pata is a fine example of a Jain version. The checkered board, representing the progress of ones's life, is divided into eighty-four numbered squares, each with words pointing out the rules of conduct and the good and bad effects thereof. The game is played by throwing dice. The ladders denote good behaviour and virtues that elevate the player to a higher level. The snakes denote downfall: the player descends to the tail after landing on the head.
The four-tiered pavilion at the top represents the heavens. Its summit, occupied by a crescent shaped siddhasaila flanked by peacocks, is where the liberated beings live. A good Jain should strive hard to reach this goal by avoiding misconduct and attaining knowledge. The pavilion is flanked by the sun god astride a seven-headed horse and the moon god riding an antelope.
Object details
Categories | |
Object type | |
Title | Gyanbazi (popular title) |
Materials and techniques | Opaque watercolour on cloth |
Brief description | Game of Snakes and Ladders (Gyanbazi), opaque watercolour on cloth, late 19th century. |
Physical description | An early version of the familiar snakes- and- ladders board game, the quasi-religious game of gyan (jnana)- choupad or gyanbazi (game of knowledge) was popular with the Rajasthani courts in the eighteenth and nineteenth centuries, especially with the ladies. Played universally in India, it is available in Hindu, Muslim and Jain versions. As a pastime the game became popular among Jain nuns and was regarded as an edifying religious pursuit. Subsequently it lost its seriousness and became a purely recreational activity. The present pata is a fine example of a Jain version. The checkered board, representing the progress of ones's life, is divided into eighty-four numbered squares, each with words pointing out the rules of conduct and the good and bad effects thereof. The game is played by throwing dice. The ladders denote good behaviour and virtues that elevate the player to a higher level. The snakes denote downfall: the player descends to the tail after landing on the head. The four-tiered pavilion at the top represents the heavens. Its summit, occupied by a crescent shaped siddhasaila flanked by peacocks, is where the liberated beings live. A good Jain should strive hard to reach this goal by avoiding misconduct and attaining knowledge. The pavilion is flanked by the sun god astride a seven-headed horse and the moon god riding an antelope. |
Dimensions |
|
Object history | Purchased by the Museum in London in 1972. |
Subject depicted | |
Bibliographic references |
|
Collection | |
Accession number | CIRC.324-1972 |
About this object record
Explore the Collections contains over a million catalogue records, and over half a million images. It is a working database that includes information compiled over the life of the museum. Some of our records may contain offensive and discriminatory language, or reflect outdated ideas, practice and analysis. We are committed to addressing these issues, and to review and update our records accordingly.
You can write to us to suggest improvements to the record.
Suggest feedback
You can write to us to suggest improvements to the record.
Suggest feedback
Record created | June 14, 2001 |
Record URL |
Download as: JSONIIIF Manifest