Harpsichord thumbnail 1
Harpsichord thumbnail 2
+16
images
Not currently on display at the V&A

Harpsichord

1521 (made)
Artist/Maker
Place of origin

This harpsichord was made in Rome in 1521 by Jerome of Bologna. Although almost nothing is known about its maker, this example is one of the earliest dated keyboard instruments to survive. Rome was the ideal place for an instrument maker to be in the early 1500s because music flourished there as much as art and architecture. Pope Leo X (reigned 1513-1521) was a keen patron of music and collector of musical instruments. Like most other surviving harpsichords of this date, this instrument, although treasured because of its quality and prestige, has subsequently been altered so as to keep up with the latest musical fashions.

Delve deeper

Discover more about this object
read Renaissance music Music underwent an extraordinary transformation from the mid-15th to the early 17th century, when new types of musical instruments developed and existing instruments were produced in ever greater numbers. The first printed music book appeared in Italy in 1501, and by the 1540s music was be...

Object details

Categories
Object type
Parts
This object consists of 4 parts.

  • Harpsichord
  • Harpsichord Case
  • Harpsichord Case
  • Lid Prop
Materials and techniques
Cypress case and soundboard, with decorative stringing, gilding and inlay
Brief description
Italian, 1521, Jerome of Bologna [return to FF15 53O/1]

Italian, 1521, stamped and gilt leather

part; Italian, 1521, Jerome of Bologna

from harpshichord
Physical description
Soundboard of pine, sides of cypress, and case of tooled leather, with decoration in the style of about 1550. Naturals of boxwood and sharps stained hardwood. The instrument's present range is forty-seven notes, C-d3, and has two 'eight foot' registers, having originally only had one.
Dimensions
  • Length: 180cm
  • Width: 75cm
  • Depth: 22.1cm
  • Weight: 39kg
Dimensions taken from Catalogue of Musical Instruments in the Victoria and Albert Museum, part I, keyboard instruments by Howard Schott. part II, non-keyboard instruments by Anthony Baines.
Marks and inscriptions
  • Hieronymus Bononiensis faciebat Romae MDXXI (1) Decoration 2) Signature; Latinn; Small case; Above the keyboard; Inscribed; Ink; Jerome of Bologna; 1521)
    Translation
    Jerome of Bologna made this in Rome in 1521
  • Aspicite ut trahitur suavi modulamine vocis/ Quidquid habent aer sider terra fretum (1) Decoration 2) Makers's mark; Latin; Roman; Above the keyboard; Jerome of Bologna; 1521)
    Translation
    See how whatever the sky, stars, earth and see possess is brought out by the sweet modulation of its voice.
Gallery label
HARPSICHORD By Jerome of Bologna (Italian), 1521 Inscribed Hieronymus Bononiensis faciebat Romae MDXXI [Jerome of Bolgna made this in Rome in 1521] below the verse Aspicite ut trahitur suavi modulamine vocis/ Quidquid habent aer sider terra fretum. [See how everything from the air, sea and earth is brought out by the modulation of the sweet voice]. Soundboard of pine, sides of cypress, and case of tooled leather, with decoration in the style of about 1550. Naturals of boxwood and sharps stained hardwood. The instrument's present range is forty-seven notes, C -d3, and has two "eight foot" registers, having originally only had one. Keyboard Catalogue No.: 1 This harpsichord is the only known extant instrument of Jerome of Bologna, who flourished in Rome in the 1520s, and one of the earliest dated examples to survive. 226-1879(pre September 2000)
Summary
This harpsichord was made in Rome in 1521 by Jerome of Bologna. Although almost nothing is known about its maker, this example is one of the earliest dated keyboard instruments to survive. Rome was the ideal place for an instrument maker to be in the early 1500s because music flourished there as much as art and architecture. Pope Leo X (reigned 1513-1521) was a keen patron of music and collector of musical instruments. Like most other surviving harpsichords of this date, this instrument, although treasured because of its quality and prestige, has subsequently been altered so as to keep up with the latest musical fashions.
Collection
Accession number
226:1 to 3 -1879

About this object record

Explore the Collections contains over a million catalogue records, and over half a million images. It is a working database that includes information compiled over the life of the museum. Some of our records may contain offensive and discriminatory language, or reflect outdated ideas, practice and analysis. We are committed to addressing these issues, and to review and update our records accordingly.

You can write to us to suggest improvements to the record.

Suggest feedback

Record createdMay 16, 2001
Record URL
Download as: JSONIIIF Manifest