Viola D'amore
1772 (made)
Artist/Maker | |
Place of origin |
Jean Nicolas Lambert made finely decorated stringed instruments of the highest quality at the Rue Michel le Comte in Paris from about 1743 until his death in 1761. His widow continued the business until about 1785, so this instrument, dated 1772, would have been made when the workshop was under her management. During the 17th and 18th centuries, the viola d'amore was particularly popular throughout Italy and Central Europe, and noted for its sweet tone. Seven gut strings were played by the bow, while seven 'sympathetic' strings placed underneath the fingerboard responded to the vibration.
Object details
Categories | |
Object type | |
Parts | This object consists of 2 parts.
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Materials and techniques | Pine soundboard, maple back and sides and sycamore neck; carved finial on top of the headbox and ebony fingerboard and tailpiece |
Dimensions |
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Production type | Unique |
Marks and inscriptions | J.N.Lambert/ Rue Michel le Comte/ 1772 (Label; French; On label on the inside of the backboard; printed) |
Gallery label | VIOLA D'AMORE
French
By Jean Nicolas Lambert, Paris, 1772
Label printed J.N.Lambert/ Rue Michel le Comte/ 1772. Body of Pine and the pegbox decorated with a head with a cap.
The instrument has seven gutted and seven wired strings.
Non-Keyboard Catalogue No.: 2/2
During the seventeenth and eighteenth century, the viola d'amore was a popular throughout Italy and Central Europe, and noted for its sweet tone. The gut strings were played by the bow and the wire of "sympathetic" strings were activated by the vibration.
W.344-1921(pre September 2000) |
Summary | Jean Nicolas Lambert made finely decorated stringed instruments of the highest quality at the Rue Michel le Comte in Paris from about 1743 until his death in 1761. His widow continued the business until about 1785, so this instrument, dated 1772, would have been made when the workshop was under her management. During the 17th and 18th centuries, the viola d'amore was particularly popular throughout Italy and Central Europe, and noted for its sweet tone. Seven gut strings were played by the bow, while seven 'sympathetic' strings placed underneath the fingerboard responded to the vibration. |
Bibliographic reference | London, Victoria & Albert Museum: Catalogue of Musical Instruments in the Victoria & Albert Museum. Part II, Anthony Baines: Non-keyboard instruments (London, 1998), p. 10 |
Collection | |
Accession number | W.344&A-1921 |
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Record created | May 16, 2001 |
Record URL |
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