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Fancy Dress Costume Design

1860s (made)
Artist/Maker
Place of origin

This design was possibly created by Léon Sault for Charles Frederick Worth. Although the specific name of the costume is not known, it is obviously based on games such as checkers (which forms the overskirt), backgammon (the apron) and dice (used as trimmings throughout. The draughts or checkers are also used to trim the borders of the skirt and the bodice. The models' headdress features a dice-shaker attached to the side of her head, with two dice on strings dangling from it. Léon Sault was a fashion and theatre designer and illustrator who later became a magazine editor, publishing some of his fancy dress costume designs as part of a series titled "L'Art du Travestissment" (The Art of Fancy Dress). His designs included characters such as Mephistopheles and embodiments of concepts such as Astronomy.

During the 1860s, Empress Eugenie of France threw a number of extravagant masquerade balls which required the guests to wear elaborate and inventive costumes that were made up by Worth and other Paris dressmakers. Worth, a relative newcomer, became the Empress's favoured couturier at the end of the 1850s. This made him extremely fashionable, and the rest of the ladies of Eugenie's court also bought gowns from him - and so too did their husbands' mistresses, and anyone wealthy enough to afford Worth's very high prices. As a result, Worth was under great pressure to produce vast numbers of unique, one of a kind costumes and gowns, often at very short notice. This is one of a large number of similar designs and sketches that were given to the V&A as part of the archive and reference collection of the House of Worth, making it extremely likely that it was originally designed for a guest to wear to one of the Empress's magnificent balls.


Object details

Categories
Object type
Materials and techniques
watercolour and pencil drawing
Brief description
Woman's masquerade ball dress. Backgammon and checkers theme. Watercolour drawing possibly by Léon Sault, probably for Charles Frederick Worth. Paris, 1860s.
Physical description
Watercolour drawing, a design for a theatrical or masquerade fancy-dress ball costume made to represent games, including draughts or checkers and backgammon.
Credit line
Given by the House of Worth
Summary
This design was possibly created by Léon Sault for Charles Frederick Worth. Although the specific name of the costume is not known, it is obviously based on games such as checkers (which forms the overskirt), backgammon (the apron) and dice (used as trimmings throughout. The draughts or checkers are also used to trim the borders of the skirt and the bodice. The models' headdress features a dice-shaker attached to the side of her head, with two dice on strings dangling from it. Léon Sault was a fashion and theatre designer and illustrator who later became a magazine editor, publishing some of his fancy dress costume designs as part of a series titled "L'Art du Travestissment" (The Art of Fancy Dress). His designs included characters such as Mephistopheles and embodiments of concepts such as Astronomy.

During the 1860s, Empress Eugenie of France threw a number of extravagant masquerade balls which required the guests to wear elaborate and inventive costumes that were made up by Worth and other Paris dressmakers. Worth, a relative newcomer, became the Empress's favoured couturier at the end of the 1850s. This made him extremely fashionable, and the rest of the ladies of Eugenie's court also bought gowns from him - and so too did their husbands' mistresses, and anyone wealthy enough to afford Worth's very high prices. As a result, Worth was under great pressure to produce vast numbers of unique, one of a kind costumes and gowns, often at very short notice. This is one of a large number of similar designs and sketches that were given to the V&A as part of the archive and reference collection of the House of Worth, making it extremely likely that it was originally designed for a guest to wear to one of the Empress's magnificent balls.
Bibliographic reference
Victoria and Albert Museum Department of Prints and Drawings and Department of Paintings Accessions 1957-1958 London: HMSO, 1964
Collection
Accession number
E.22045-1957

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Record createdJune 30, 2009
Record URL
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