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Her Royal Highness Augusta, Hereditary Princess of Brunswick and Luneburg

Print
1764-ca.1766 (published)
Artist/Maker
Place of origin

Technique
Mezzotint is an engraving technique where the surface of a metal plate is roughened and indented by a ‘rocker’, a tool with metal teeth. The rocker makes lots of dotted indentations in the surface of the plate which hold ink. To allow a gradation of tone, certain areas of the plate are burnished – the surface is smoothed - so that their ink-holding capacity is reduced. Mezzotint allows subtle variations of tone to be achieved.

People
Charlotte Augusta, Princess of Brunswick-Wolfenbüttell (1737-1813) was a daughter of Frederick Lewis, Prince of Wales, and sister of George III. In 1764 she married Charles William Ferdinand, Duke of Brunswick at St. James’s Palace. During the Napoleonic Wars her husband died from wounds received in battle, and the princess returned to Britain in 1807, granted protection by George III.

Philip Corbutt was the alias of Richard Purcell (fl. 1746-1766), an Irish engraver who settled in London during the 1750s.

Subject
This engraving was produced at some point during the 1760s, certainly after 1764 when the princess married the Duke of Brunswick, and it is possible that this print was made to commemorate the match. The princess looks to the right, with a tiara in her hair and wears an ermine lined robe; the clothing is generalised, a silk gown with the robe worn over the shoulders. Reynolds believed the particularities of contemporary dress should be avoided in portraits to give them a timeless quality and elevate the status of portraiture.


Object details

Categories
Object type
TitleHer Royal Highness Augusta, Hereditary Princess of Brunswick and Luneburg (assigned by artist)
Materials and techniques
Mezzotint on paper
Brief description
Print, half-length portrait of princess Augusta Charlotte wearing an ermine-trimmed robe. Mezzotint by Richard Purcell (alias Philip Corbutt) after Sir Joshua Reynolds, 1764-ca.1766.
Physical description
Portrait, half-length, facing half right and wearing a tiara and an ermine-trimmed robe.
Dimensions
  • Height: 38.4cm
  • Width: 27.4cm
Style
Marks and inscriptions
'J. Reynolds pinxt. Philip Corbutt fecit. / Her Royal Highness Augusta, Hereditary Princess of Brunswick & Lunenburg. / London, Printed for Robt. Sayer, Map & Printseller near Serjeants Inn Fleet Street.' (Lettered)
Credit line
Given by Mrs E.B. Westwood
Object history
This engraving was produced at some point during the 1760s, certainly after 1764 when the princess married the Duke of Brunswick, and it is possible that this print was made to commemorate the match.
Production
The original portrait was painted in 1763. Philip Corbutt was an alias of the engraver Richard Purcell (died ca.1766).
Subjects depicted
Summary
Technique
Mezzotint is an engraving technique where the surface of a metal plate is roughened and indented by a ‘rocker’, a tool with metal teeth. The rocker makes lots of dotted indentations in the surface of the plate which hold ink. To allow a gradation of tone, certain areas of the plate are burnished – the surface is smoothed - so that their ink-holding capacity is reduced. Mezzotint allows subtle variations of tone to be achieved.

People
Charlotte Augusta, Princess of Brunswick-Wolfenbüttell (1737-1813) was a daughter of Frederick Lewis, Prince of Wales, and sister of George III. In 1764 she married Charles William Ferdinand, Duke of Brunswick at St. James’s Palace. During the Napoleonic Wars her husband died from wounds received in battle, and the princess returned to Britain in 1807, granted protection by George III.

Philip Corbutt was the alias of Richard Purcell (fl. 1746-1766), an Irish engraver who settled in London during the 1750s.

Subject
This engraving was produced at some point during the 1760s, certainly after 1764 when the princess married the Duke of Brunswick, and it is possible that this print was made to commemorate the match. The princess looks to the right, with a tiara in her hair and wears an ermine lined robe; the clothing is generalised, a silk gown with the robe worn over the shoulders. Reynolds believed the particularities of contemporary dress should be avoided in portraits to give them a timeless quality and elevate the status of portraiture.
Bibliographic reference
Victoria and Albert Museum Department of Prints and Drawings and Department of Paintings, Accessions 1959 . London: HMSO, 1964.
Collection
Accession number
E.494-1959

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Record createdJune 30, 2009
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