Lobster Pots, Ventnor
Oil Painting
1835 (made)
1835 (made)
| Artist/Maker | |
| Place of origin |
Object Type
Still life paintings in the Dutch manner were very popular in Victorian Britain, and had been collected since the 17th century. Some British painters imitated this kind of oil painting in order to meet the steady demand.
Subjects Depicted
In September 1835 Cooke went on a sketching tour of Portsmouth and the Isle of Wight, where he stayed at the Crab and Lobster Inn, Ventnor. There a local fisherman not only taught him how to make baskets and lobster pots, but also made scale models of them, presumably for the artist to paint from in his studio. Then as now, fresh lobsters were considered a luxury food, and the image of a lobster still in its iron cooking pot would have given this work some of the appeal of a Dutch still life painting of food, but set unusually in the open air.
People
Edward William Cooke (1811-1880) started painting when he was very young, and aged only nine made drawings for the Encyclopaedia of Plants (1820). He had a long and profitable career as a marine painter, exhibiting 130 works at the Royal Academy. John Sheepshanks collected 11 of his paintings, as well as a number of watercolour studies for them.
Still life paintings in the Dutch manner were very popular in Victorian Britain, and had been collected since the 17th century. Some British painters imitated this kind of oil painting in order to meet the steady demand.
Subjects Depicted
In September 1835 Cooke went on a sketching tour of Portsmouth and the Isle of Wight, where he stayed at the Crab and Lobster Inn, Ventnor. There a local fisherman not only taught him how to make baskets and lobster pots, but also made scale models of them, presumably for the artist to paint from in his studio. Then as now, fresh lobsters were considered a luxury food, and the image of a lobster still in its iron cooking pot would have given this work some of the appeal of a Dutch still life painting of food, but set unusually in the open air.
People
Edward William Cooke (1811-1880) started painting when he was very young, and aged only nine made drawings for the Encyclopaedia of Plants (1820). He had a long and profitable career as a marine painter, exhibiting 130 works at the Royal Academy. John Sheepshanks collected 11 of his paintings, as well as a number of watercolour studies for them.
Object details
| Categories | |
| Object type | |
| Title | Lobster Pots, Ventnor (assigned by artist) |
| Materials and techniques | oil on canvas |
| Brief description | Oil painting entitled 'Lobster Pots, Ventor' by Edward William Cooke. Great Britain, 1835. |
| Physical description | Oil painting entitled 'Lobster Pots, Ventnor', depicting fishing tackle and a lobster emerging from a round, black pot on a beach on the Isle of Wight. |
| Dimensions |
|
| Style | |
| Gallery label |
|
| Credit line | Given by John Sheepshanks, 1857 |
| Object history | Given by John Sheepshanks, 1857. By Edward William Cooke RA FRS FSA (born in London, 1811, died in Groombridge, Kent, 1880) |
| Production | Signed and dated 1835 |
| Subjects depicted | |
| Places depicted | |
| Summary | Object Type Still life paintings in the Dutch manner were very popular in Victorian Britain, and had been collected since the 17th century. Some British painters imitated this kind of oil painting in order to meet the steady demand. Subjects Depicted In September 1835 Cooke went on a sketching tour of Portsmouth and the Isle of Wight, where he stayed at the Crab and Lobster Inn, Ventnor. There a local fisherman not only taught him how to make baskets and lobster pots, but also made scale models of them, presumably for the artist to paint from in his studio. Then as now, fresh lobsters were considered a luxury food, and the image of a lobster still in its iron cooking pot would have given this work some of the appeal of a Dutch still life painting of food, but set unusually in the open air. People Edward William Cooke (1811-1880) started painting when he was very young, and aged only nine made drawings for the Encyclopaedia of Plants (1820). He had a long and profitable career as a marine painter, exhibiting 130 works at the Royal Academy. John Sheepshanks collected 11 of his paintings, as well as a number of watercolour studies for them. |
| Bibliographic reference | Parkinson, R., Victoria and Albert Museum, Catalogue of British Oil Paintings 1820-1860, London: HMSO, 1990, p. 41 |
| Collection | |
| Accession number | FA.39[O] |
About this object record
Explore the Collections contains over a million catalogue records, and over half a million images. It is a working database that includes information compiled over the life of the museum. Some of our records may contain offensive and discriminatory language, or reflect outdated ideas, practice and analysis. We are committed to addressing these issues, and to review and update our records accordingly.
You can write to us to suggest improvements to the record.
Suggest feedback
You can write to us to suggest improvements to the record.
Suggest feedback
| Record created | February 28, 2001 |
| Record URL |
Download as: JSONIIIF Manifest
