Cupid's Manufactory thumbnail 1
Cupid's Manufactory thumbnail 2
Image of Gallery in South Kensington
Request to view at the Prints & Drawings Study Room, level D , Case K, Shelf 6, Box D

Cupid's Manufactory

Print
1800 (printed)
Artist/Maker
Place of origin

There must have been a demand from collectors for Bartolozzi subjects printed on silk, for Francesco Bartolozzi - a major figure in his day - is the printmaker whose designs are most frequently encountered in this form. Prints on silk were always aimed at a niche market, and their fragility has made them especially rare today. This may be because prints on silk tended to be framed and hung on the wall. Thus they were exposed to the damaging effects of light for longer periods than prints on paper kept safe and dark in connoisseurs' portfolios.


Object details

Categories
Object type
TitleCupid's Manufactory (assigned by artist)
Materials and techniques
Stipple engraving on silk
Brief description
Print, 'Cupid's Manufactory', by Francesco Bartolozzi RA after Francesco Albani. Stipple engraving on silk, 1800.
Physical description
Stipple engraving printed on silk
Dimensions
  • Printed surface height: 21.8cm
  • Printed surface width: 28.5cm
  • Framed size height: 28cm
  • Framed size width: 34.2cm
Gallery label
Bartolozzi was a prolific Italian-born printmaker who spent much of his life in London. He specialised in the technique of stipple engraving, sometimes known as the ‘crayon manner’ because it was devised to imitate the appearance of chalk drawings. This example is printed on silk, which gives a subtle sheen to the tones of the engraving. (11/09/2017)
Credit line
Given by Julie and Robert Breckman
Production
After Francesco Albani
Subjects depicted
Summary
There must have been a demand from collectors for Bartolozzi subjects printed on silk, for Francesco Bartolozzi - a major figure in his day - is the printmaker whose designs are most frequently encountered in this form. Prints on silk were always aimed at a niche market, and their fragility has made them especially rare today. This may be because prints on silk tended to be framed and hung on the wall. Thus they were exposed to the damaging effects of light for longer periods than prints on paper kept safe and dark in connoisseurs' portfolios.
Collection
Accession number
E.932-2000

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Record createdFebruary 13, 2001
Record URL
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