Sample
ca. 1910-1920 (made)
| Artist/Maker | |
| Place of origin |
This printed silk dress fabric was designed by the Wiener Werkstätte textile department between 1910 and 1920. The Wiener Werkstätte (Vienna Workshop) was a guild of designers and craftsmen who came together with the idea of furthering the work and ideals of the Viennese Secession. It was founded by the architect Josef Hoffman (1870-1956) and the designer Koloman Moser (1868-1918). The organisation manufactured a range of interior furnishings for the luxury goods market between 1903 and 1932. These were both handmade and industrially manufactured. The textile department opened in 1900. Its 80 members produced about 1,800 designs, mainly for printed fabrics for furnishings and apparel. The textiles were characterised by simplified forms and vivid colours. These were derived from Eastern European peasant art and geometric motifs in contemporary painting. They were an important influence on Art Deco ornamentation.
Object details
| Categories | |
| Object type | |
| Materials and techniques | Block-printed silk |
| Brief description | Bodice, printed silk, Austria, 1910-1920 |
| Physical description | Bodice of a dress in printed silk, with geometric disc and plant motifs in black, blue and yellow on white. |
| Dimensions |
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| Credit line | Given by Junnaa and Thomi Wroblewski |
| Summary | This printed silk dress fabric was designed by the Wiener Werkstätte textile department between 1910 and 1920. The Wiener Werkstätte (Vienna Workshop) was a guild of designers and craftsmen who came together with the idea of furthering the work and ideals of the Viennese Secession. It was founded by the architect Josef Hoffman (1870-1956) and the designer Koloman Moser (1868-1918). The organisation manufactured a range of interior furnishings for the luxury goods market between 1903 and 1932. These were both handmade and industrially manufactured. The textile department opened in 1900. Its 80 members produced about 1,800 designs, mainly for printed fabrics for furnishings and apparel. The textiles were characterised by simplified forms and vivid colours. These were derived from Eastern European peasant art and geometric motifs in contemporary painting. They were an important influence on Art Deco ornamentation. |
| Bibliographic reference | Samuels, Charlotte. Art Deco Textiles London : V& A Publications, 2003. Plate 6.
|
| Collection | |
| Accession number | T.855-2000 |
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| Record created | January 22, 2001 |
| Record URL |
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