Cover
1700-1799 (made)
Artist/Maker | |
Place of origin |
From about the 1720s onwards Ottoman embroidery stopped copying woven designs and became a truly creative art form: new, naturalistic floral motifs were introduced and many of them were depicted in great detail. Some were allowed to sway and sweep across the fabric, some were stylised and many were enriched with metal thread. The colours were originally very bright but have often faded to pleasing pastel shades.
Object details
Categories | |
Object type | |
Materials and techniques | Silk satin, embroidered with silk in atma (laid and couched with a couched line) and couched threads, and with metal thread in padded couching |
Brief description | embroidered, 1700s, Turkish |
Physical description | Part of a cover, silk satin embroidered with silk in atma and counched threads and with metal thread in padded couching. The ground is red and there is fine couched line using metal thread which forms a border down the two sides. There are three complete bands of pattern and partial bands top and bottom. Each band contains three diagonal blossoms alternating in colour: predominantly blue or white. |
Dimensions |
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Style | |
Subject depicted | |
Summary | From about the 1720s onwards Ottoman embroidery stopped copying woven designs and became a truly creative art form: new, naturalistic floral motifs were introduced and many of them were depicted in great detail. Some were allowed to sway and sweep across the fabric, some were stylised and many were enriched with metal thread. The colours were originally very bright but have often faded to pleasing pastel shades. |
Bibliographic reference | Illustrated in 'Ottoman Embroidery' by Marianne Ellis and Jennifer Wearden (V&A Publications, 2001); plate 77 |
Collection | |
Accession number | 852-1897 |
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Record created | January 15, 2001 |
Record URL |
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