Bath Wrap Panel thumbnail 1
Bath Wrap Panel thumbnail 2
+1
images
Not currently on display at the V&A

Bath Wrap Panel

1700-1799 (made)
Artist/Maker
Place of origin

A bath wrap was a large cloth made from three widths of fabric. People who visited the hamman (public baths) would wrap them round their bodies when they rested after bathing. From about the 1720s onwards Ottoman embroidery stopped copying woven designs and became a truly creative art form. Designers introduced new, lifelike floral decorations, many of which were very detailed. They allowed some floral decorations to sway and sweep across the fabric. Some were stylised. All decorations were worked in soft colours often enriched with metal thread. The colours of many 18th century embroideries were originally very bright but they have faded to pleasing pastel shades.


Object details

Category
Object type
Parts
This object consists of 3 parts.

  • Sash Border
  • Sash
  • Sash
Materials and techniques
Linen, embroidered with silk in double running in steps and in double running variations (outlines), and with metal thread in double darning on the diagonal and counted satin stitch
Brief description
Middle East, Textile;
Physical description
Bath Wrap, part, linen embroidered with silk in double running in steps and in double running variations (outlines) and with metal thread in double darning on the diagonal and counted satin stitch.
The ends are decorated with a narrow band worked in metal thread. Above this is a very deep embroidered border with four offsrt bands each containing three 8-petalled pink flowers, each with a gold centre. Between these flowers are diagonal sprays with a gold tulip-like centre and 7 small blue flowers. The alignment of these sprays is not always on the diagonal which suggests that the pink flowers were drawn or printed first and then the blue sprays were fitted into the available space.
Dimensions
  • Length: 274cm
  • Width: 49cm
Style
Subject depicted
Summary
A bath wrap was a large cloth made from three widths of fabric. People who visited the hamman (public baths) would wrap them round their bodies when they rested after bathing. From about the 1720s onwards Ottoman embroidery stopped copying woven designs and became a truly creative art form. Designers introduced new, lifelike floral decorations, many of which were very detailed. They allowed some floral decorations to sway and sweep across the fabric. Some were stylised. All decorations were worked in soft colours often enriched with metal thread. The colours of many 18th century embroideries were originally very bright but they have faded to pleasing pastel shades.
Collection
Accession number
327 to B-1896

About this object record

Explore the Collections contains over a million catalogue records, and over half a million images. It is a working database that includes information compiled over the life of the museum. Some of our records may contain offensive and discriminatory language, or reflect outdated ideas, practice and analysis. We are committed to addressing these issues, and to review and update our records accordingly.

You can write to us to suggest improvements to the record.

Suggest feedback

Record createdJanuary 15, 2001
Record URL
Download as: JSONIIIF Manifest